The Ingmar Bergman Archives

From the archives at the Bergman Foundation comes an homage to the Swedish auteur and consummate explorer of the human condition. This re-edition brings back TASCHEN's award-winning publication, produced with many of Ingmar Bergman's close collaborators. Charting the director's entire working life in film, it features rare material and film...

Le recueil rend hommage au réalisateur suédois I. Bergman (1918-2007) en regroupant sa biographie, des archives et photographies inédites, ses interviews et ses écrits. Sept chapitres chronologiques : 1948-1951, 1951-1956, 1957-1961, 1961-1964, 1964-1977, 1977-1983, 1984-2004.

Cet hommage à un auteur suédois, fin explorateur de la condition humaine, a été conçu à partir des archives de la Fondation Bergman. Cette réédition remet à l'honneur l'ouvrage récompensé paru chez TASCHEN, fruit d'un travail avec de nombreux proches collaborateurs de Bergman. Abordant tout le cinéma du réalisateur, il révèle des documents...

Following the success of his bestselling autobiography The Magic Lantern, the most influential film director of our time shares his wisdom and insig hts about himself and his cinematic work. Bergman's career spanned 40 years and produced over 50 films, many of which are considered classics. Over 200 photos.

This unique collection focuses on the work of legendary Swedish filmmaker Ingmar Bergman. Written in the wake of the centenary of Bergman’s birth in 2018, the volume aims to combine new approaches to Bergman’s films and writings with more traditional analyses. Established themes such as Bergman’s interest in philosophy and psychology are addressed, but also less familiar topics, notably his relationship with Hollywood and his elaborate use of film music and autobiographical writing that characterised his later work. There are new analyses of aspects of Bergman’s most famous films, including Smiles of a Summer Night and Fanny and Alexander, but also insightful readings of lesser-known works, such as Saraband and Sawdust and Tinsel.

Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to censorship boards in Sweden and the United States. The film's depiction of sexuality was, as Judith Crist wrote at the time in the New York Herald-Tribune, "not for the prudish." Yet Bergman's notebooks and screenplays reveal his tendency for self-censorship, both to dampen the literary quality of his screenwriting and to alter portions of the script that Bergman ultimately deemed too provocative. Maaret Koskinen, a professor of cinema studies and film critic for Sweden's largest national daily newspaper, was the first scholar given access to Bergman's private papers during the last years of his life. Bergman's notebooks reveal the difficulties he experienced in writing for the medium of moving images and his meditations on the relationship (or its lack) between moving images and the spoken or written word. Koskinen's attention to this intermedial framework is anchored in a close reading of the film, focusing on the many-faceted relationships between images and dialogue, music, sound, and silence. The Silence offers filmgoers an entryway into the cinematic, cultural, and sociopolitical issues of its time, but remains a classic - rich enough for scrutiny from a variety of perspectives and methodologies. Koskinen draws a picture of Bergman that challenges the traditional view of him as an auteur, revealing his attempts to overcome his own image as a creator of serious art films by making his work relevant to a new generation of filmgoers. Her exploration of the film touches on issues of censorship and the cinema of small nations, while shedding new light on the shifting views of Bergman and auteurist film, high art, and popular culture.

Ingmar Bergman is among the world's most influential directors of the postwar cinema. Drawing on extensive research and numerous interviews, Robert Emmet Long explores all of Bergman's films and stage productions. Illustrated with 200 photographs--40 in color--this volume belongs in the library of fine film aficionados everywhere.