The Ink War

The rivalry between William Steinitz and Johannes Zukertort, the world's strongest chess players in the late nineteenth century, became so fierce that it was eventually named The Ink War. They fought their battle on the chessboard and in various chess magazines and columns. It was not only about who was the strongest player but also about who had the best ideas on how to play the game.In 1872, Johannes Zukertort moved from Berlin to London to continue his chess career. Ten years earlier, William Steinitz had moved from Vienna to London for the same purpose; meanwhile, he had become the uncrowned champion of the chess world. Their verbal war culminated in the first match for the World Championship in 1886. Zukertort is certainly the tragic protagonist of this book, but is he also a romantic hero? He has often been depicted as a representative of romantic chess, solely focusing on attacking the king. Steinitz is said to have put an end to this lopsided chess style with his modern scientific school. This compelling story shakes up the traditional version of chess history and answers the question which of them can claim to be the captain of the modern school. With his first book, Move First, Think Later, International Master Willy Hendriks caused a minor revolution in the general view on chess improvement. His second book, On the Origin of Good Moves, presented a refreshing new outlook on chess history. In The Ink War, Hendriks once again offers his unique perspective in a well-researched story that continues to captivate until the tragic outcome. It gives a wonderful impression of the 19th-century chess world and the birth of modern chess. Hendriks invites the reader to actively think along with the beautiful, instructive and entertaining chess fragments with many chess exercises.

Zippy Cosmo moves his wife and family from Baltimore to the Eastern Shore to escape the citys inhumanity and growing civil rights violence. The small provincial town they settle in is sleepy and remote; it seems ideal to raise their five children. But, a tattoo artist rents the old post office building and tattoos the wrong farmers daughter according to the local intel. The search for his killer and how it impacts this familys lives is what makes THE INK MASTER MURDER, a mystery by Gene Lovell, a fascinating read. Can you dig it?

The chess playing mind does not work like a machine. Selecting a move results from rather chaotic thought processes and is not the logical outcome of applying a rational method. The only problem with that, says International Master Willy Hendriks, is that most books and courses on improving at chess claim exactly the opposite. The dogma of the chess instruction establishment is that if you only take a good look at certain ‘characteristics’ of a position, then good moves will follow more or less automatically. But this is not how it happens. Chess players, weak and strong, don’t first judge the position, then formulate a plan and afterwards look at moves. It all happens at the same time, and pretending that it is otherwise is counterproductive. There is no use in forcing your students to mentally jump through theoretical hoops, according to experienced chess coach Hendriks. This work shows a healthy distrust of accepted methods to get better at chess. It teaches that winning games does not depend on ticking off a to-do list when looking at a position on the board. It presents club and internet chess players with loads of much-needed no-nonsense training material. In this provocative, entertaining and highly instructive book, Hendriks shows how you can travel light on the road to chess improvement!

The way a beginner develops into a strong chess player closely resembles the progress of the game of chess itself. This popular idea is the reason why many renowned chess instructors such as former World Champions Garry Kasparov and Max Euwe, emphasize the importance of studying the history of chess. Willy Hendriks agrees that there is much to be learned from the pioneers of our game. He challenges, however, the conventional view on what the stages in the advancement of chess actually have been. Among the various articles of faith that Hendriks questions is Wilhelm Steinitz's reputation as the discoverer of the laws of positional chess. In The Origin of Good Moves Hendriks undertakes a groundbreaking investigative journey into the history of chess. He explains what actually happened, creates fresh perspectives, finds new heroes, and reveals the real driving force behind improvement in chess: evolution. This thought-provoking book is full of beautiful and instructive ‘new’ material from the old days. With plenty of exercises, the reader is invited to put themselves in the shoes of the old masters. Never before has the study of the history of chess been so entertaining and rewarding.

When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

Major Hugh Dégaré never thought working a desk job could be worse than combat. But shortly after starting a new position in a bureaucratic military headquarters far from the front lines, he finds himself fighting to maintain his grip on reality. Amid sleepless nights and intense memories from his combat service, he does what he’s always done—takes action. Afraid of being stigmatized by his chain of command, he turns to a psychologist and an estranged friend, Daryl, now an ex-soldier. Despite his best efforts, Hugh’s rage continues to grow. When his support network starts to fall apart with no end to his symptoms in sight, Hugh finally turns to a questionable military medical system, desperate to do anything to save his career, marriage, and life itself. His last hope is that the system supposedly designed to help him doesn’t put the final nail into his coffin instead.

"These writings on war by Middle Eastern and South Asian women are passionate, bitter, and deeply attached to place and circumstance. They should be part of our essential reading. At the tail end of this century, they help to remap a vivid, splintering world".--Meena Alexander, author of "Fault Lines". Lightning Print On Demand Title