The Integral Nature Of Things

The world is an interdependent whole of which everything is an integral, complexly related, part. Yet current ways of thinking, and being, persistently separate social phenomena and the individual self from the multiple dimensions with which they are interconnected. The Integral Nature of Things examines this revealing paradox and its consequences in a variety of sites: everyday language, labour, advertising, technology, post-structuralist theory, political rhetoric, urban planning, sex, neoliberal globalisation. Mani demonstrates how even though the interrelations between things are obscured by the ruling paradigm, the facts of relationality and indivisibility continually assert themselves. The book interweaves prose with poetry and sociocultural analysis with observational accounts to offer an alternative framework for addressing aspects of the cognitive, cultural, political, and ethical crisis we face today.

Why is the Christian Church declining in numbers and effectiveness in the twenty-first century? In A Celtic Model of Ministry Jerry Doherty, experienced clergyman and Celtic scholar, shows that the decline is caused by a crisis of individualism, a crisis of faith, and a crisis of lifestyle. Doherty responds to these crises by providing a Celtic spirituality by way of ministry of early Celtic Christians in Ireland, Wales, Scotland, Brittany, and the Isle of Man. He provides a model for ministry today in the local congregation and a guideline for the successful future of the Church modeled after the early Celtic communities. Doherty applies the model in congregational development studies and ministry. He explores the problems that have caused the decline of the Church and how paradigms of ministry in current use are no longer adequate. In A Celtic Model of Ministry Doherty proposes that a new model for thinking and building ministry today, especially in the local congregation, may be found in early Celtic Christian communities. Churches need to be a spiritual center, a learning center, and a community center.

First published in 1987. The teachings of Confucius have sustained the East for over 2,500 years. As set forth in the Four Books, Confucianism stresses morality, love of peace, justice, honesty, virtue, moderation in all things and sincerity as the means of self-fulfilment. Chen arranges into one compact volume the essential principles for human conduct propounded in Confucius's Four Books, and to make them easily accessible to Western readers for the first time.

This study attempts to elucidate a possible meeting point of the traditions of Eastern and Western metaphysical thinking. In discussing Whitehead’s and Aurobindo’s views on being and becoming, it seeks the possibility of a better engagement between the East and the West in the light of the philosophical insights. It is an initiation into the Sitz im Leben of Whitehead’s philosophy and his general thought pattern. It carries a perceptive analysis to show the clear primacy of Becoming or Process in Whitehead that extends even to the Divine. It also highlights Aurobindo as a unique Indian Philosopher, who articulated Indian thought in Western categories. He was able to integrate the evolutionary theory of the West with the Indian understanding of becoming. The relationship between God and Creativity and Sachchidananda and the Supermind is studied within the context of Enlightenment and Modernity and the way of doing philosophy in the West and in the East.

Explores the drama of proximity and co-presence in Shakespeare's playsKey FeaturesBrings together the rare pairing of philosophical ethics and performance studies in Shakespeare's playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel LevinasThis book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb - to face, outface, interface, efface, deface, sur-face - chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.