The Interfaces

"This book explores how Indigenous people in Mesoamerica use social networks to alter, enhance, preserve, and contribute to self-representation"--Provided by publisher.

Recent years have seen a growing interest in linguistic phenomena whose formal manifestation and underlying licensing conditions represent the convergence of two or more areas of the grammar, an area of investigation particularly invigorated in recent generative research by developments such as phase theory (cf. Chomsky 2001; 2008) and the cartographic enterprise (cf. Rizzi 1997; Cinque 1999). In this respect, the dialects of Italy are no exception, in that they present comparative Romance linguists and theoretical linguists alike with many valuable opportunities to study the linguistic interfaces, as highlighted by the many case studies presented in this volume which provide a series of original insights into how different components of the linguistic system – syntactic, phonetic, phonological, morphological, semantic and pragmatic – do not necessarily operate in isolation but, rather, interact to license phenomena whose nature and distribution can only be fully understood in terms of the formal mapping between the interfaces.

This books presents the most comprehensive description and analysis to date of Hebrew morphology, with an emphasis on the verbal templates. Its aim is to develop a theory of argument structure alternations which is anchored in the syntax but has systematic interfaces with the phonology and the semantics. Concretely, the monograph argues for a specific formal system centered around possible values of the head Voice. The formal assumptions are as similar as possible to those made in work on non-Semitic languages. The first part of the book (four chapters) is devoted to Hebrew; the second part (two chapters) compares the current theory with other approaches to Voice and argument structure in the recent literature.

The Interfaces: Deriving and Interpreting Omitted Structures is a collection of never-before-published papers that explore the nature of the interfaces of syntax with semantics, phonology, and discourse. The papers investigate the various ways in which elliptical structures are related to these interfaces. As such, they not only make a valuable contribution to generative linguistic research but, more generally, help to deepen our understanding of the relation between form and meaning in natural language. In the book's introductory chapter, the editors address general issues related to current work on ellipsis and the syntax/semantics, syntax/phonology and syntax/discourse interfaces. The rest of the book is organized into three parts. The first examines PF-deletion accounts of elliptical structures; the second investigates these structures from the perspective of the syntax/semantic interface; and the third explores these from a perspective that concentrates on the relation between semantics and focus and discourse structure. Together the papers collected in this volume offer a convincing demonstration of the value of collaborative research on the 'interfaces'.

This book presents the history of one of the key debates in the continuing effort to develop a legal framework for intellectual property rights in the burgeoning computer software industry. It is the first full account of the interoperability debate-the controversy over the protectability of interface specifications and the permissibility of

Our love affair with the digital interface is out of control. We’ve embraced it in the boardroom, the bedroom, and the bathroom. Screens have taken over our lives. Most people spend over eight hours a day staring at a screen, and some “technological innovators” are hoping to grab even more of your eyeball time. You have screens in your pocket, in your car, on your appliances, and maybe even on your face. Average smartphone users check their phones 150 times a day, responding to the addictive buzz of Facebook or emails or Twitter. Are you sick? There’s an app for that! Need to pray? There’s an app for that! Dead? Well, there’s an app for that, too! And most apps are intentionally addictive distractions that end up taking our attention away from things like family, friends, sleep, and oncoming traffic. There’s a better way. In this book, innovator Golden Krishna challenges our world of nagging, screen-based bondage, and shows how we can build a technologically advanced world without digital interfaces. In his insightful, raw, and often hilarious criticism, Golden reveals fascinating ways to think beyond screens using three principles that lead to more meaningful innovation. Whether you’re working in technology, or just wary of a gadget-filled future, you’ll be enlighted and entertained while discovering that the best interface is no interface.

Want to learn how to create great user experiences on today's Web? In this book, UI experts Bill Scott and Theresa Neil present more than 75 design patterns for building web interfaces that provide rich interaction. Distilled from the authors' years of experience at Sabre, Yahoo!, and Netflix, these best practices are grouped into six key principles to help you take advantage of the web technologies available today. With an entire section devoted to each design principle, Designing Web Interfaces helps you: Make It Direct-Edit content in context with design patterns for In Page Editing, Drag & Drop, and Direct Selection Keep It Lightweight-Reduce the effort required to interact with a site by using In Context Tools to leave a "light footprint" Stay on the Page-Keep visitors on a page with overlays, inlays, dynamic content, and in-page flow patterns Provide an Invitation-Help visitors discover site features with invitations that cue them to the next level of interaction Use Transitions-Learn when, why, and how to use animations, cinematic effects, and other transitions React Immediately-Provide a rich experience by using lively responses such as Live Search, Live Suggest, Live Previews, and more Designing Web Interfaces illustrates many patterns with examples from working websites. If you need to build or renovate a website to be truly interactive, this book gives you the principles for success.

Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today's discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But, following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable. Recognizing the limits of either path, Galloway charts an alternative course by considering the interface as an autonomous zone of aesthetic activity, guided by its own logic and its own ends: the interface effect. Rather than praising user-friendly interfaces that work well, or castigating those that work poorly, this book considers the unworkable nature of all interfaces, from windows and doors to screens and keyboards. Considered allegorically, such thresholds do not so much tell the story of their own operations but beckon outward into the realm of social and political life, and in so doing ask a question to which the political interpretation of interfaces is the only coherent answer. Grounded in philosophy and cultural theory and driven by close readings of video games, software, television, painting, and other images, Galloway seeks to explain the logic of digital culture through an analysis of its most emblematic and ubiquitous manifestation – the interface.