The Invention Of Scotland Routledge Revivals

A dynasty of high ability and great charm, the Stuarts exerted a compelling fascination over their supporters and enemies alike. First published in 1991, this title assesses the influence of the Stuart mystique on the modern political and cultural identity of Scotland. Murray Pittock traces the Stuart myth from the days of Charles I to the modern Scottish National Party, and discusses both pro- and anti-Union propaganda. He provides a unique insight into the ‘radicalism’ of Scottish Jacobitism, contrasting this ‘Jacobitisim of the Left’ with the sentimental image constructed by the Victorians. Dealing with a subject of great relevance to modern British society, this reissue provides an extensive analysis of Scottish nationhood, the Stuart cult and Jacobite ideology. It will be of great interest to students of literature, history, and Scottish culture and politics.

A dynasty of high ability and great charm, the Stuarts exerted a compelling fascination over their supporters and enemies alike. First published in 1991, this title assesses the influence of the Stuart mystique on the modern political and cultural identity of Scotland. Murray Pittock traces the Stuart myth from the days of Charles I to the modern Scottish National Party, and discusses both pro- and anti-Union propaganda. He provides a unique insight into the ‘radicalism’ of Scottish Jacobitism, contrasting this ‘Jacobitisim of the Left’ with the sentimental image constructed by the Victorians. Dealing with a subject of great relevance to modern British society, this reissue provides an extensive analysis of Scottish nationhood, the Stuart cult and Jacobite ideology. It will be of great interest to students of literature, history, and Scottish culture and politics.

Originally published in 1978, The Making of Urban Scotland traces the evolution of towns from their prehistoric origins to the present day. Most of the material is based on research in Scotland's archives, housed in the Scottish Record Office. Special emphasis is placed on the causes of economic change and its repercussions upon Scottish town life. The urban stresses of the nineteenth century are analysed in detail, as well as the subsequent emergence of Scotland as Western Europe's pre-eminent council house society. The unique character of Scotland's housing occupies two chapters and for the first time the whole panoply of the statuary origins of the council house landscape is exposed.

This book argues that while Anglo-Saxon culture has given rise to virtually no myths at all, myth has played a central role in the historical development of Scottish identity. Hugh Trevor-Roper explores three myths across 400 years of Scottish history: the political myth of the "ancient constitution" of Scotland; the literary myth, including Walter Scott as well as Ossian and ancient poetry; and the sartorial myth of tartan and the kilt, invented--ironically, by Englishmen--in quite modern times. Trevor-Roper reveals myth as an often deliberate cultural construction used to enshrine a people's identity. While his treatment of Scottish myth is highly critical, indeed debunking, he shows how the ritualization and domestication of Scotland's myths as local color diverted the Scottish intelligentsia from the path that led German intellectuals to a dangerous myth of racial supremacy. This compelling manuscript was left unpublished on Trevor-Roper's death in 2003 and is now made available for the first time. Written with characteristic elegance, lucidity, and wit, and containing defiant and challenging opinions, it will absorb and provoke Scottish readers while intriguing many others. "I believe that the whole history of Scotland has been coloured by myth; and that myth, in Scotland, is never driven out by reality, or by reason, but lingers on until another myth has been discovered, or elaborated, to replace it."-Hugh Trevor-Roper

Originally published in 1978, The Making of Urban Scotland traces the evolution of towns from their prehistoric origins to the present day. Most of the material is based on research in Scotland’s archives, housed in the Scottish Record Office. Special emphasis is placed on the causes of economic change and its repercussions upon Scottish town life. The urban stresses of the nineteenth century are analysed in detail, as well as the subsequent emergence of Scotland as Western Europe’s pre-eminent council house society. The unique character of Scotland’s housing occupies two chapters and for the first time the whole panoply of the statuary origins of the council house landscape is exposed.

The twenty-five year period following the Second World War saw an enormous expansion of activity in the writing of the history of modern Britain, and with that expansion a major transformation of the state of knowledge in many parts of the area. First published in 1970, this Revivals reissue, which includes an extensive coverage of books and a reasonable selection of articles, endeavours both to survey the work done and to reduce it to some comprehensible order. It indicates achievements and probable lines of development, and collects the materials that have grown around the main controversies. Omitted are local history (in the main) and the history of empire and commonwealth, except where the latter really arises out of the affairs of the mother country. There are special sections on social history, the history of ideas, Scotland and Ireland.

Explores cultural defence and revivalism in Scottish literature and artThe first book-length, interdisciplinary study on fin-de-sicle ScotlandUnlocks Scottish writers' and artists' participation in neo-paganism, the occult revival, neo-Catholicism and japonismeInformed by extensive analysis of under-explored archival materials, such as the Papers of Patrick GeddesRichly illustrated with artworks, photographs and ephemera As the Irish Revival took shape and the Home Rule debate dominated UK politics, what was happening in Scotland? This book reveals distinct but comparable concerns with cultural defence and revivalism in fin-de-sieI cle Scotland, evident in the work of a number of writers and artists including Robert Louis Stevenson, Patrick Geddes, Fiona Macleod, Charles Rennie Mackintosh, Mona Caird, Arthur Conan Doyle, John Duncan and various contributors to The Evergreen. Situating Scottish literature and art alongside international developments in culture, especially the rise of decadence, symbolism and Celticism, Michael Shaw demonstrates the ways in which dissident fin-de-sieI cle styles and ideas supported and defined the Scottish Revival.