The Invention Of The Biblical Scholar

In this "tale of two disciplines," Stephen D. Moore and Yvonne Sherwood invite the reader into a paradox: just as the wider field of literary studies has now come to operate "after theory," biblical scholars continue their long search for an elusive Holy Grail?a definitive literary-critical theory. Understanding that paradox requires revisiting the peculiar history by which the curious figure of the biblical scholar was invented during the Enlightenment, and how contemporary biblical scholarship continues?however unwittingly?to pursue Enlightenment goals.

In this tale of two disciplines, Stephen D. Moore and Yvonne Sherwood invite the reader into a paradox: just as the wider field of literary studies has now come to operate after theory, biblical scholars continue their long search for an elusive Holy Grail?a definitive literary-critical theory. Understanding that paradox requires revisiting the peculiar history by which the curious figure of the biblical scholar was invented during the Enlightenment, and how contemporary biblical scholarship continues?however unwittingly?to pursue Enlightenment goals.

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

What Noam Chomsky did for political commentary, and Stephen Hawking did for cosmology, Donald Harman Akenson does for the Bible and its interpreters, and the resulting conclusions are just as astounding. Surpassing Wonder illuminates how the greatest cultural artifacts of our civilization are related to one another and constitute the very core of our consciousness. With biting irreverence for denominational prejudices and the pretensions of academics, Akenson renews our sense of awe before these religious works. He challenges received doctrines, arguing that the ancient Jews were indeed idol worshippers and that Saint Paul did not believe in the bodily resurrection of Jesus of Nazareth or in the virgin birth. With wit, elegance, and clarity Surpassing Wonder makes the ancient Hebrew scriptures, the Christian New Testament, and the Talmuds of the Rabbis accessible to all and shows they can be understood only in relation to each other and against their specific historical settings. Akenson argues that each of the great texts must be considered as the product of a single author and thus as a religious invention - that is, as a self-consciously formed unity rather than an anthology of disparate works. He also argues that the great inventor of the Hebrew scriptures should be credited with constructing the very concept of narrative history and thus the foundations of Western civilization. Using a rich and imagistic language that combines tractor mechanics, Winnie-the-Pooh, and architecture with analogies from astronomy, evolutionary biology, and economics, Akenson brings about nothing less than a radical reformation of how to think about the sacred texts. He restores their spiritual power through a just appreciation of the achievement of their authors while leaving readers to decide for themselves on the presence of a "guiding hand." Surpassing Wonder is a penetrating study of the historian's craft and a brilliant exposé of how theologians and biblical scholars abuse historical reasoning and evidence in their treatment of the sacred texts. Just as a previous reformation cast out the priestly intercessors, so Akenson casts the scholars out of the temple and lets readers in to see the texts anew. In so doing he reinvests religion with meaning for a contemporary world and shows us how Western civilization was created not by the Greeks of Athens or the patricians of Rome but by the desert worshippers of Yahweh.

In this much-anticipated textbook, three respected biblical scholars have written a history of ancient Israel that takes the biblical text seriously as an historical document. While also considering nonbiblical sources and being attentive to what disciplines like archaeology, anthropology, and sociology suggest about the past, the authors do so within the context and paradigm of the Old Testament canon, which is held as the primary document for reconstructing Israel's history. In Part One, the authors set the volume in context and review past and current scholarly debate about learning Israel's history, negating arguments against using the Bible as the central source. In Part Two, they seek to retell the history itself with an eye to all the factors explored in Part One.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Introduction -- The early history of editing -- Jewish and Christian scholarship and standardization of biblical texts -- Classical and biblical text editions : editing in the age of the printing press -- Editing Homer : the rise of historical criticism in classical studies -- The history of the "editor" in biblical criticism from Simon to Wellhausen -- The history of redaction in the twentieth century : crisis in higher criticism -- Editing the Bible and textual criticism -- Editors and the creation of the canon -- Summary and conclusion

I (Still) Believe explores the all-important question of whether serious academic study of the Bible is threatening to one’s faith. Far from it—faith enhances study of the Bible and, reciprocally, such study enriches a person’s faith. With this in mind, this book asks prominent Bible teachers and scholars to tell their story reflecting on their own experiences at the intersection of faith and serious academic study of the Bible. While the essays of this book will provide some apology for academic study of the Bible as an important discipline, the essays engage with this question in ways that are uncontrived. They present real stories, with all the complexities and struggles they may hold. To this end, the contributors do two things: (a) reflect on their lives as someone who teaches and researches the Bible, providing something of a story outlining their journey of life and faith, and their self-understanding as a biblical theologian; and (b) provide focused reflections on how faith has made a difference, how it has changed, and what challenges have arisen, remained, and are unresolved, all with a view toward the future and engaging the book’s main question. engaging the book’s main question.