The Irish Revival

Handbook of the Irish Revival collects for the first time many of the essays, articles, and letters written during the Revival.

Selina Guinness (Dun Laoghaire) Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish Literary Revival Leeann Lane DCU) 'There are compensations in the congested districts for their poverty': � and the idealized peasant of the agricultural co-operative movement Liam MacMath�na (DCU) From manuscripts to street signs via S�adna: the Gaelic League and the changing role of literacy in Irish, 1875-1915 "na N� Bhroim�il (Mary Immac.) American influence on the Gaelic League: inspiration or control? Mary Stakelum (UL) A song to sweeten Ireland's wrong: music education and the Celtic Revival Elizabeth Crooke (UU) Revivalist archaeology and museum politics during the Irish Revival Janice Helland (Queen's, King.) Embroidered spectacle: Celtic Revival as aristocratic display Elaine Cheasley Paterson (QUB) Crafting a national identity: the Dun Emer Guild, 1902-8 Marnie Hay (UCD) Explaining Uladh: cultural nationalism in Ulster Lucy McDiarmid (Villanova U) Revivalist belligerence: three controversies Alex Davis (UCC) Whoops from the peat-bog?: Joseph Campbell and the London avant-garde Maria O'Brien (UU) Thomas William Rolleston: the forgotten man G.K. Peatling (Guelph U) Robert Lynd, paradox and the Irish revival: 'Acting-out' or 'Working-through'? Brian Griffin (Bath Spa) The Revival at local level: Katherine Frances Purdon's portrayal of rural Ireland Michael McAteer A currency crisis: modernist dialectics in The Countess Cathleen Mary Burke (QUB) Eighteenth-century European scholarship and nineteenth-century Irish literature: Synge's Tinker's Wedding and the orientalizing of 'Irish Gypsies' Patrick Lonergan (NUIG) 'The sneering, lofty conception of what they call culture': O'Casey, popular culture and the Literary Revival

This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.

First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland’s history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.

Celtic Revival? explores what happens when a society loses its wealth, its faith in government, and its trust in its Church. The glorious rise of the Celtic Tiger in Ireland was thought by many to be a model for future economic growth for countries around the world; its dramatic crash in 2008 resonated equally widely. Yet despite the magnitude of the ongoing collapse, Sean Kay shows that seen in historical perspective, the crisis is part of a much larger pattern of generations of progress and change. Kay draws on a rich blend of research, interviews with a broad spectrum of Irish society, and his own decades of personal experience to tell the story of Ireland today. He guides the reader through the country's major economic challenges, political transformation, social change, the crisis in the Irish Catholic Church, and the rise of gay rights and multiculturalism. He takes us through the streets of Derry and Belfast to understand the Northern Ireland peace process and the daunting task of peace building that has only just begun. Finally, we see how Irish foreign policy has long been a model for balancing competing interests and values. Kay concludes by highlighting Ireland's lessons for the world and mapping a vital path for twenty-first-century challenges and opportunities for the coming generations in Ireland and beyond.

First published in 1987, The Dynamics of Cultural Nationalism demonstrates the nature and role of cultural nationalism as a separate movement in the creation of modern nations. This is done through an intensive study of the modern Irish movements, and in particular the Gaelic revival at the end of the nineteenth century, which makes clear the importance of cultural nationalism as a vision and politics in its own right. The author, by approaching his material as both historian and sociologist, is able to illuminate the Irish case of nationalism by placing it in a broad, comparative perspective, showing how cultural nationalism has often provided those answers to the problems of nation building and the rediscovery of national identity that political nationalism failed to provide. This book will be of interest to all those in the social sciences and history who are concerned with problems of national identity, the uses of history and culture in the creation of modern nations, and the particular case of the development of nationalist movements in Ireland.

The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted by those who believed in the centrality of the Irish language to the emergent Irish state. This book attempts to remedy that deficiency and to present the lively debates within the language movement in their full complexity, citing documents such as editorials, columns, speeches, letters, and literary works that were influential at the time but all too often were published only in Irish or were difficult to access. Cautiously employing the terms &"nativist&" and &"progressive&" for the turnings inward and toward the European continent manifested in different authors, this study examines the strengths and weaknesses of contrasting positions on the major issues confronting the language movement. Moving from the early collecting or retelling of folklore through the search for heroes in early Irish history to the reworking of ancient Irish literary materials by retelling it in modern vernacular Irish, O'Leary addresses the many debates and questions concerning Irish writing of the period. His study is a model for inquiries into the kind of linguistic-literary movement that arises during intense nationalism.

Women, Press, and Politics explores the literary and historical significance of women writing for the most influential body of nationalist journalism during the Irish revival, the advanced nationalist press. This work studies women’s writings in the Irish national tradition, focusing in particular on leading feminine voices in the cultural and political movements that helped launch the Eater Rising of 1916: Augusta Gregory, Alice Milligan, Maud Gonne, Constance Markievicz, Delia Larkin, Hanna Sheehy Skeffington, and Louie Bennett. Karen Steele argues that by examining the innovative work of these writers from the perspective of women’s artistry and women’s political investments, we can best appreciate the expansive range of their cultural productions and the influence these had on other nationalists, who went on to shape Irish politics and culture in the decades to come.