The Isle Of Pines 1668

Reproduction of the original: The Isle of Pines (1668) by Henry Neville

A short fiction of shipwreck and discovery written by the politician Henry Neville (1620-1694), The Isle of Pines is only beginning to draw critical attention, and until now no scholarly edition of the work has appeared. In the first full-length study of The Isle of Pines, supported by the first fully critical edition, John Scheckter discloses how Neville's work offers a critique of scientific discourse, enacts complicated engagements of race and gender, and interrogates the methods and consequences of European exploration. The volume offers a new critical model for applying post-colonial and postmodern examination strategies to an early modern work. Scheckter argues that the structure and publication history of the fiction, with its separate, unreliable narrators, along with its several topics-shipwreck survival, the founding of a new society, the initial phases of European colonization-are imbued with the sense of uncertainty that permeated the era.

This volume is a study of 'The Isle of Pines'. The author offers a critique of scientific discourse, enacts complicated engagements of race and gender, and interrogates the methods and consequences of European exploration.

Excerpt from The Isle of Pines, 1668: An Essay in Bibliography About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A scholarly and highly detailed bibliography of the Isle of Pines, originally published in 1668. This work includes an extensive analysis of the text and its historical and cultural context, as well as an exploration of its significance within the wider literary canon. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Isle Of Pines (1668) and An Essay in Bibliography by Worthington Chauncey Ford by Worthington Chauncey Ford The scene opens in Cambridge, Massachusetts, in the year 1668, where in one of the college buildings a contest between two rival printers had been waged for some years. Marmaduke Johnson, a trained and experienced printer, to whose ability the Indian Bible is largely due, had ceased to be the printer of the corporation, or Society for the Propagation of the Gospel in New England, but still had a press and, what was better, a fresh outfit of type, sent over by the corporation and entrusted to the keeping of John Eliot, the Apostle. Samuel Green had become a printer, though without previous training, and was at this time printer to the college, a position of vantage against a rival, because it must have carried with it countenance from the authorities in Boston, and public printing then as now constituted an item to a press of some income and some perquisites. By seeking to marry Green's daughter before his English wife had ceased to be, Johnson had created a prejudice, public as well as private, against himself. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.