The Italian Piazza Transformed

During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma’s urban center in this tumultuous period by reconstructing the city’s two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city’s ruling elite. By the early fourteenth century, Parma’s patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities. Moreover, Marina establishes that the piazzas’ orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma’s squares were also agents in the production of the city-state’s mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city’s leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy’s civic culture and the carefully crafted piazzas from which it emerged.

Through a detailed study of the principal spaces of Italian cities, this book explores the relationship between political systems and their methods of representation in architecture. Illustrated by contemporary photographs and analytical drawings, it examines significant piazzas and situates these examples in their social and political contexts, highlighting the urban evidence of shifts between autocratic and democratic forms of government through history. The ideological role of political architecture is analyzed through the work of various theorists including ancient sources, Renaissance thinkers and modern critics. The complex evolution of individual spaces over time is represented by their physical layering from ancient times to the present day. Other examples connect the development of different characteristic types of Italian urban form in chronological sequence, categorized by art historical and political periods.

The history of cities is also the history of city squares. The agora, the forum, the piazza, the plaza: All presuppose the idea of a center. It’s a material and mental phenomenon. Literature is an important part of this history, and the interplay between the square as physical space and the square as literature is the topic of this book. This is an encyclopedic book combining an overview of the history of city squares with a plethora of analytical examples of its reflection in literature: Literature uses the city square as a frame; city squares serve as frames for drama; novels and other kinds of literature comment on city squares; city squares are sources of inspiration for all sorts of literary activities. Socrates in the agora, Cicero in the Forum, Calderón in the Plaza Mayor, Corneille in the Place Royale, Richardson in Grosvenor Square, James in Washington Square, Woolf in Bloomsbury Square, Döblin and Gröschner in Alexanderplatz, Rodoreda in Diamond Square in Barcelona, DeLillo in Times Square, Al Aswany in Tahrir Square, the Maidanistas in the Maidan of Kyiv: These are just some of the examples presented and analyzed in this book. The book is of direct interest for researchers, students, and professionals such as architects and urban planners, but it is written in a way that makes it accessible for all readers with an interest in urban culture, architecture, history, literature, and cultural studies.

This book constitutes the thoroughly refereed postproceedings of the 14th International Symposium on Logic Based Program Synthesis and Transformation, LOPSTR 2004, held in Verona, Italy in August 2004. The 17 revised full papers presented were carefully selected and revised from 23 full paper and 11 extended abstract submissions. The papers are organized in topical sections on verification and analysis, theory and security, transformations, program development, termination, and program development and synthesis.

This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.

How did urban Italy come to look the way it does today? This collection of essays assembles recent studies in architectural history and theory exploring the historical paradigms guiding architecture and landscape design between the world wars. The authors explore physical changes in townscapes and landscapes, covering a wide range of architectural designs from strict modernist solutions to variations of regionalism, mediterraneanism and national style from all over Italy. Specifically, the volume explains how conservation, restoration and town planning for historic areas led to the production of heritage, and elucidates the role played by architects like Marcello Piacentini, Innocenzo Sabbatini, Mario De Renzi and Giulio Ulisse Arata.