The Jews Of Italy

The history of the Jews in Italy is the longest continuous one of European Jewry and lasted for more than two millennia. It started in the days of the Roman Republic and continued through the Middle Ages to Modern Times. Jewish Italy served as melting pot throughout its history, first for migrants from East to West and eventually from all over the Mediterranean littoral and beyond. Some of them moved on from Italy to other countries, while the majority stayed on in the country for generations. This volume of their history covers the first seven centuries of Jewish presence on the peninsula from the days of the Maccabees to Pope Gregory the Great. It is based on archaeological finds in Rome and elsewhere in Italy, on relevant literary and legal sources and on other records.

In this revisionist history of Italy's role in the Holocaust, the author presents an account of how ordinary Italians actively participated in the deportation of Italy's Jews between 1943 and 1945, when Mussolini's collaborationist republic was under German occupation

Mining new sources, Klein tells the dramatic story of Italy's Jews, from emancipation to Fascism, the Holocaust, and postwar myth-making.

Publisher Description

The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

The eminent cultural historian H. Stuart Hughes examines the works of Italo Svevo, Alberto Moravia, Carlo Levi, Primo Levi, Natalia Ginzburg, and Giorgio Bassani--six Italian prose writers of Jewish or part-Jewish origin--and gracefully shows how these writers combine in various measures their ancestral Jewish heritage with recent experiences of antisemitic persecution.