The Jolly Rogers

In his action-packed war memoir and unit history, Blackburn describes VF-17's intense, winning campaign against the Japanese over the northern Solomon Islands and Rabaul in late 1943 and early 1944.

"One warship. One mission. Confederation Commander Jon T. Munro was serving a life sentence for a war crime he was forced to commit, left to take the fall for the politicians and brass who were truly to blame. But now he is free, after a jailbreak gone awry, and in possession of the most powerful cruiser in the Confederate Armada, which he renamed "The Jolly Roger." On the run with a rag-tag crew of misfit ex-cons, his agenda is simple: justice" -- Page [4] of cover.

Ahoy, me hearties! Matilda and the Pirates Next Door return in a series of illustrated stories for young readers. Every full moon, a mysterious ship is seen off the coast of Dull-on-Sea. Then, the next day, gold and jewelry are missing from homes, shops, and museums all over town. Matilda needs the Jolley-Rogers' help to investigate. Can Matilda and Jim Lad retrieve the stolen booty from the mysterious ship before the moon fades? Or will they end up stuck on board with a crew of ghostly pirates forever?

The true story of a series of bold killings which took place in a shadowy American ex-pat community in Panama--a tale of greed, political history, and murder In the remote Bocas del Toro, Panama, William Dathan Holbert, aka "Wild Bill," is awaiting trial for the murder of five fellow American ex-patriots. Holbert's first victims were the Brown family, who lived on a remote island in the area's Darklands. There, Holbert turned their home into the "Jolly Roger Social Club," using drink- and drug-fueled parties to get to know other ex-pats. The club's tagline was: "Over 90% of our members survive." Those odds were not in his victims' favor. The Jolly Roger Social Club is not just a book about what Holbert did and the complex financial and real estate motives behind the killings; it is about why Bocas del Toro turned out to be his perfect hunting ground, and why the community tolerated-even accepted-him for a time. Told through the fascinating history of the country of Panama, a paradise with sinister ties to the political and economic interests of the United States, journalist Nick Foster brings this uniquely bizarre place to life; shedding light on a community where many live under assumed names, desperate to leave their old lives behind-and sometimes people just disappear.

"Nine-year-old Roger is a miserable landlubber with a bad-tempered mother. So when he sees a poster for a cabin boy to join the pirates, he jumps at the chance - or he would have done if the pirates hadn't already bagged him! The next thing he knows, Roger is on board the Golden Behind with a bunch of the smelliest, hairiest, scariest pirates the world has ever seen - but will they be a match for Roger's mum?" -- Walker Books.

The Jolley-Rogers - a pirate family, are moving to Dull-on-Sea, a quiet seaside town. Stopping to fix up their ship, this unusual family get the whole neighbourhood spreading rumours. Defying the grown-ups, Matilda from next door decides to become friends with the youngest pirate son. When the Jolley-Rogers leave, the town discovers they were wrong to assume the worst - the pirate clan have buried treasure in everyone's gardens (shown in a stunning double-gatefold). Matilda feels sad until she discovers her own treasure - an incredibly exciting new pen friend.

This full-color facsimile reprint of the actual JOLLY ROGERS war book appears here in a new quality edition. (The following is from the original dust jacket). No group of fliers since the Flying Tigers of China has ever emerged from the war with greater glory than the world famous Liberator unit . . . the JOLLY ROGERS. Month after month, since September, 1942, American newspapers and magazines have brimmed over with colorful stories about this most colorful of all B-24 outfits. Less celebrated Liberator units have complained that all these laurels fell to the JOLLY ROGERS because of their fascinating name and twin-tail insignia - a huge skull surmounting two crossed bombs. But the history of the JOLLY ROGERS tells its own story. No single heavy bomber unit in the Air Corps has ever claimed to beat the record of the JOLLY ROGERS in the number of enemy attackers shot out of the skies. Their bombing record has been acclaimed by the Men who ought to know . . . the men with stars on their shoulders in the Southwest Pacific. In this book you will find the faces of the men who were and still are the JOLLY ROGERS. Many of these have left the unit to return to the United States. Many have left, never to return. But all - cooks and clerks, fliers and ground crews - have earned their right to the page of American history which the JOLLY ROGERS have written with bombs and bullets. But more - the Editors of this book have tried to capture the flavor of life in the Southwest Pacific. No book about any Air Corps unit could ever be complete without the laughter, the irritation, the discomfort, the natives . . . the backdrop against which the greatest of all human dramas was played. It is with a sense of deep reverence and humility that this book is dedicated to the men whom no book could ever honor sufficiently . . . the men of the JOLLY ROGERS who died for their country.

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation for his two solo 2019 exhibitions at Bergen Kunsthall and Kunsthalle Zürich, and combined with a nearly complete collection of the artist's drawings and prints from recent years. The texts operate like vignettes to a larger story, and the images as unreliable illustrations to the narrative. However, the larger story never really is revealed. Each individual text, each single work, articulates itself by means of an intense focus. It is as if we were suspended in a continual zooming motion, as if the artist and author wanted to tell and show it all. But alas, such is life under the microscope: always larger than life, but at the wrong scale at a time driven by individual interests, self-optimization, and egos that stage themselves simultaneously as victims and disruptors. Published by Bergen Kunsthall, Kunsthalle Zürich, and Sternberg Press