The Kaleidoscope Or Literary And Scientific Mirror

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 A huge amount was published about chess in the United Kingdom before the First World War. The growing popularity of chess in Victorian Britain was reflected in an increasingly competitive market of books and periodicals aimed at players from beginner to expert. The author combines new information about the early history of the game with advice for researchers into chess history and traces the further development of chess literature well into the 20th century. Topics include today’s leading chess libraries and the use of digitized chess texts and research on the Web. Special attention is given to the columns that appeared in newspapers (national and provincial) and magazines from 1813 onwards. These articles, usually weekly, provide a wealth of information on early chess, much of which is not to be found elsewhere. The lengthy first appendix, an A to Z of almost 600 chess columns, constitutes a detailed research aid. Other appendices include corrections and supplements to standard works of reference on chess.

This study argues for Hogg's centrality to British Romanticism, resituating his work in relation to many of his more famous Romantic contemporaries. Hogg creates a unique literary style which, the author argues, is best described as 'kaleidoscopic' in view of its similarities with David Brewster's kaleidoscope, invented in 1816.

This is the first book to tell the story of the Romantic album and its original poetry. It rediscovers a huge number of overlooked Romantic poems, and reconstructs how albums and their owners were represented in print

Essays on the links between film and fiction, and their mutual influence. Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.