The Killing 3

David Hewson's The Killing 3 is the novelization of the third series of the hit Danish crime drama, The Killing. Detective Inspector for homicide, Sarah Lund, is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen's 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland's backing. Lund needs to make sense of the clues left by Emilie's perpetrator before it's too late. And can she finally face the demons that have long haunted her?

When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done. For San Francisco homicide detective Valerie Hart, their trail of victims—women abducted, tortured and left with a seemingly random series of objects inside them—has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens. But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.

"The action was heart pounding. There were times when I wanted to throw the book against the wall, to scream and shout out - that's how good Casey is." - Five-star Goodreads review. On a quiet afternoon in Houston, 4-year-old Joey Warner plays in a park sandbox when a stranger approaches, looking for his runaway dog. While Joey's mom, Crystal, talks on her cell phone, the stranger convinces the child to help him search. By the time Crystal turns around, her son has disappeared. Yet her reaction is odd, not what one would expect from a distraught mother. Is Crystal Warner somehow involved in her son's abduction? Meanwhile, on a cattle ranch outside Houston, Texas Ranger and profiler Sarah Armstrong assesses a symbol left on the hide of a slaughtered longhorn, a figure that dates back to a forgotten era of sugarcane plantations and slavery. Soon, other prize-winning bulls are found butchered on the outskirts of the city, each bearing a new but similar symbol. Before long, the two investigations converge at the same time a catastrophic hurricane threatens. One of Sarah's close friends is murdered, and the clock ticks as the storm moves in. If Sarah doesn't act quickly, the child will die. Kathryn Casey delivers a fast-paced, exciting third case for Sarah Armstrong, one of the pluckiest and most complex female investigators to come along in a long time.

Emily's dad is accused of killing a teenage girl. She's sure he's innocent, and is determined to discover the truth of what happened. But her journey leads her to discover that dangerous games are being played in the woods at night ...

Detective Inspector Sarah Lund (Sofie Graring;) returns in the long-awaited third and final series of THE KILLING (Forbrydelsen) Trilogy. The financial crisis is raging and the number of bankruptcies and repossessions is on the rise, but Detective Inspector Sarah Lund has a new-found sense of peace in the form of a new job, a new home and the recognition of achieving 25 years of service in the Police Force.

When the discovery of a mass grave in northern Maine reveals the truth about the disappearance of a religious community, private detective Charlie Parker becomes embroiled in a deadly conflict with a group of religious fanatics.

History and fiction collide with deadly consequences in the third Kate McKinnon novel—a story of bitter revenge, where the past invades the present and a decades-old secret proves fatal Kate McKinnon has lived many lives, from Queens cop to Manhattan socialite, television art historian, and the woman who helped the NYPD capture the Death Artist and the Color Blind killer. But that's the past. Now, devastated by the death of her husband, Kate is attempting to quietly rebuild her life as a single woman. Gone are the Park Avenue penthouse and designer clothes. Now it's a funky Chelsea loft, downtown fashion, and even a hip new haircut as Kate plunges back into her work—writing a book about America's most celebrated artistic era, the New York School of the 1940s and '50s, a circle that included Jackson Pollock, Willem de Kooning, and Mark Rothko. But when a lunatic starts slashing the very paintings she is writing about—along with their owners—Kate is once again tapped by the NYPD. As she deciphers the evidence—cryptic images that reveal both the paintings and the people who will be the next targets—Kate is drawn into a world where art and art history provide lethal clues. The Killing Art is Jonathan Santlofer's most gripping and chilling story yet, but that isn't the only reason the novel is remarkable. The author, who is also an acclaimed artist, has created works of art just for the book that tantalize and challenge readers by using well-known symbols in innovative ways, allowing them to decode the clues along with Kate. A masterwork of both suspense fiction and art, The Killing Art will impress both thriller readers and art fans as the plot twists and turns toward a shocking climax.