The King With Horse S Ears And Other Irish Folktales

"Experience the magical world of Irish storytelling where many remarkable characters await you: a king with a mysterious secret, brave warriors famous for their strength, a clever leprechaun who outwits humans, and many more"--Front dust jacket flap.

This witty folktale about a king with a secret is retold by an acclaimed storyteller. King Mark has a secret: he has horse's ears. No one knows about it except his barber, who could lose his head if he tells. But knowing the secret makes the barber ill, so his doctor advises him to tell his secret to the ground. The secret then grows into reeds, the reeds are made into pipes - and what happens next will surprise and amuse young readers. The story of King Mark and his ears is told with lively humor by professional storyteller Eric Maddern, and Paul Hess's delightfully droll artwork adds to the fun.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.

Designed for anyone who wants to develop the skill of telling stories, this volume provides advice on choosing, learning, and presenting stories, as well as discussions on the importance of storytelling through human history and its continued significance today.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.

Published in 1901, this two-volume work sheds light on folklore fieldwork and its difficulties, providing English translations for each text.