The Kingdom Of God And Peace Essays

This book was first published when Tolstoy's precepts were wholly unacceptable to the Church, the State, the Military and even his own family. His message of peace, denunciation of war, protests against curtailing of freedom of speech, press and religion were ignored by Stalin, Hitler and for that matter the whole world. But to voice such opinions in the face of stiff opposition required someone of Tolstoy s moral stature, courage and faith. This collection of essays retranslated and republished perhaps has greater relevance today than when Tolstoy wrote them.

These essays by biblical scholars show that friction in the church between evangelism and peace activism is neither helpful nor biblical: mission and peace are inseparable throughout the biblical canon. Those who seek God's reign are called to proclaim the gospel of peace.

Christian anarchism has been around for at least as long as “secular” anarchism. Leo Tolstoy is its most famous proponent, but there are many others, such as Jacques Ellul, Vernard Eller, Dave Andrews or the people associated with the Catholic Worker movement. They offer a compelling critique of the state, the church and the economy based on the New Testament.

Using a variety of theoretical reflections and empirically grounded case studies, this book examines how certain kinds of imagination – political, artistic, historical, philosophical – help us tackle the challenge of comprehending and responding to various forms of political violence. Understanding political violence is a complex task, which involves a variety of operations, from examining the social macro-structures within which actors engage in violence, to investigating the motives and drives of individual perpetrators. This book focuses on the faculty of imagination and its role in facilitating our normative and critical engagement with political violence. It interrogates how the imagination can help us deal with past as well as ongoing instances of political violence. Several questions, which have thus far received too little attention from political theorists, motivate this project: Can certain forms of imagination – artistic, historical, philosophical – help us tackle the challenge of comprehending and responding to unprecedented forms of violence? What is the ethical and political value of artworks depicting human rights violations in the aftermath of conflicts? What about the use of thought experiments in justifying policy measures with regard to violence? What forms of political imagination can foster solidarity and catalyse political action? This book opens up a forum for an inclusive and reflexive debate on the role that the imagination can play in unpacking complex issues of political violence. The chapters in this book were originally published in a special issue of the journal, Critical Review of International Social and Political Philosophy.

This volume asks how Woolf conceptualized peace by exploring various experimental forms she created in response to violence and crisis. Across fifteen chapters written by an international array of scholars, this book draws out theoretical dimensions of Woolf’s aesthetics and deepens our understanding of her writing about war, ethics, feminism and European culture.