The Kiss Of Apollo

That the camera can give uncanny life to inanimate objects is something recognized and explored by photographers since the invention of the medium more than 150 years ago. Through forty-one photographs of sculpture, The Kiss of Apollo examines aspects of the photographer's enlivening gaze and the ways in which new meaning can be created when one artist observes the work of another. The history of "photography's love affair with sculpture", and a study of the ways in which new meaning can be created when one artist observes the work of another. Photographers include Atget, Eakins, Evans, Frank, Groover, Sheeler, Sommer, and Warhol among others in this handsomely designed publication.

Excerpt from The Kiss of Apollo A door blew together somewhere downstairs and another at the same time quietly shut near him, but he did not heed it, having fallen upon a chapter in the murder trial that had charmed him. Only the bell could recall him now, and that did not happen to ring. Housed as well as a caged tiger, denied all prerogatives of free manhood, captive of luxury, a domestic slave was Martin; but with the Swiss peaks in his mountaineer's heart and the cow-bells of Chamounix ringing silvery in his ears, down from the heights whence the herds wound to his father's chalet at this same hour of the evening, the magical hour of return to the fold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Jamey Barlowe has been crippled since childhood, the result of being born on the Moon. He lives his life in a wheelchair, only truly free when he is in the water. But then Jamey's father sends him, along with five other kids, back to the Moon to escape a political coup d'etat that has occurred overnight in the United States. Moreover, one of the other five refugees is more than she appears. Their destination is the mining colony, Apollo. Jamey will have to learn a whole new way to live, one that entails walking for the first time in his life. It won't be easy and it won't be safe. But Jamey is determined to make it as a member of Lunar Search and Rescue, also known as the Rangers. This job is always risky, but could be even more dangerous if the new U.S. president makes good on her threat to launch a military invasion. Soon Jamey is front and center in a political and military struggle stretching from the Earth to the Moon. From the Hardcover edition.

#1 NEW YORK TIMES BESTSELLER! ONCE UPON A BROKEN HEART marks the launch of a new series from Stephanie Garber about love, curses, and the lengths that people will go to for happily ever after For as long as she can remember, Evangeline Fox has believed in true love and happy endings . . . until she learns that the love of her life will marry another. Desperate to stop the wedding and to heal her wounded heart, Evangeline strikes a deal with the charismatic, but wicked, Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing. But after Evangeline’s first promised kiss, she learns that bargaining with an immortal is a dangerous game — and that the Prince of Hearts wants far more from her than she’d pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after, or the most exquisite tragedy.

NATIONAL BESTSELLER For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, asEntertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.” NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • LOS ANGELES TIMES • SAN FRANCISCO CHRONICLE • PUBLISHERS WEEKLY