The L Word

The official companion guide to the critically acclaimed Showtime series, this volume features behind-the-scenes photos and all-new interviews with the show's cast, crew, and creators.

When Adam Freedman - a straight, cis teen from Piedmont, California - goes to stay with his older sister, Casey, in Brooklyn, he fantasizes about a summer of freedom, new friends, and falling in love. He's in for a surprise. It's 2006, and Casey has thrown herself into NYC's lesbian and trans activist scene. Adam tags along, having fun in places he'd never have expected, but he's surrounded by lesbians, and it seems like the last thing he'll find is a girlfriend. That is, until he meets Gillian. Adam is soon hopelessly, desperately in love - only there's just one small problem. Gillian thinks he's a trans man

Reclaiming the "L" Word is a book about renewing congregations by recognizing and living out the core teachings of the Lutheran faith. Primarily written for those who call themselves Lutheran and, specifically, those who are members of ELCA congregations, this little book helps us answer these central questions: Who are we? What DOES it mean to be a Lutheran today, anyway? And, why does it matter. Inspirational, engaging, and challenging, this book is a must-read for pastors and congregational leaders!

The complete and groundbreaking "The L Word" is now out on DVD and this book makes the perfect companion, covering the series in its entirety. "Loving The L Word" picks up where Reading "The L Word: Outing Contemporary Television" (I.B. Tauris, 2006) left off. With new, updated chapters by many of the same television writers and scholars who contributed to the first volume, as well as essays by some newcomers, "Loving The L Word" explores the series' quantum contribution to the ongoing evolution of queer television. Whether you loved "The L Word", hated it, or loved to hate it, this book recognizes that the show transformed the post-Ellen LGBT television landscape, fulfilling a long-neglected, visceral desire for lesbian stories and images. In the process, it reshaped the communities that follow and talk about queer television and care about the narratives and characters that drive it. Including complete Character/Actor, Film/TV and Episode guides, the book also proceeds from the understanding that while "The L Word' ended in 2009 it manages to live on - in the lives of its fans, as well as in a new reality spin-off, "The Real L Word".

Somewhere in the 1970s liberals in the United States lost their way. After successes like the New Deal, they became arrogant. So argues Douglas Massey in Return of the "L" Word. Faced with the difficult politics of race and class, liberals used the heavy hand of government to impose policies on a resentful public. Conservatives capitalized on this with a staunch ideology of free markets, limited government, and conservative social values. The time is ripe for a liberal realignment, declares Massey, but what has been lacking is a consistent liberal ideology that explains to voters, in simple terms, government's vital role in producing a healthier, more financially equitable, less divided society. This book supplies that ideology. Massey begins his powerful manifesto by laying out the liberals' mistakes over the past twenty years. Drawing on insights from the expanding field of economic sociology, he then sets forth a clear set of liberal principles to explain how markets work in society, principles he applies to articulate salable liberal policies. After outlining a new liberal political philosophy, Massey traces liberalism's opposition and says plainly: liberals should have no illusions about the competition's resolve and skill. He closes with a practical approach to liberal coalition-building in America. The political economy conservatives have constructed in recent decades has benefited 20 percent of the people. Liberal success requires a return to material rather than symbolic politics, showing most Americans why it is in their economic as well as moral interest to support the liberal cause.

Television is awash with newly embraced gay and lesbian themes that have crossed over into the collective pop culture of America. Dramas like Queer As Folk and The L Word, comedies like Will & Grace,and even reality shows including the popular Queer Eye for the Straight Guy signify a new commercial acceptance of homosexuality that has never been seen before in the United States. However, the increasing exposure has prompted critics to argue that the gay and lesbian representation on television is oversimplified and is rife with one-dimensional characters. Ultimately, the viewers will decide the future of homosexuality and homosexual characters on television. The text offers essays that explore such topics as the politics of representation and the clash of progressive and regressive social agendas in television and the emphasis on the search for a space for gays, lesbians, bisexuals and the transgendered within the mainstream media. The book contains criticisms of characters in such shows as Six Feet Under, Queer As Folk, Friends and Ellen.

In January 2004, Showtime debuted The L Word, the first prime-time commercial drama to center around lesbian characters. Over the course of six seasons, the show depicted the lives and loves of an evolving circle of friends in West Hollywood, California, and was widely read as evidence of changing social attitudes toward gay people. Building on immediate critical attention, the show reigned as Showtime's most popular for its first three seasons and earned a large and enthusiastic audience. In The L Word, author Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history. McFadden shows that the program’s creators, led by executive producer Ilene Chaiken, were well aware of the assumptions and expectations that viewers would bring to it after a history of stereotypical depictions of lesbians on television. They sought to satisfy a diverse group of viewers who wanted honest and appealing portrayals of their lives while still attracting a large enough mainstream audience to make The L Word commercially viable. In five chapters, McFadden explores how the show tackled these problems of representation by using reflexivity as a strategy to make meaning, undertaking a complicitous critique of Hollywood, skillfully using a soap-drama format to draw in its audience, and ultimately creating its own complex representation of a lesbian community. While deconstructing the history of misrepresentation of lesbians, The L Word’s new modes of storytelling and new perspectives made many aspects of lesbian experience, history, and culture visible to a large audience. Fans of the show as well as readers interested in cultural studies and gay and lesbian pop cultural history will enjoy this astute volume.

In a world where a left swipe means you could be alone and sexless forever and taking a chance could mean you find 'The One', the question we often find ourselves asking is, what is love? When romance writer Aastha Atray Banan found herself getting asked questions about the daily struggles of love she decided to start a podcast, Love Aaj Kal, that dealt with everything about love and relationships. The L-Word is about modern love: from ghosting, polyamory, love in the times of social media to more every-day problems like dealing with heartbreak, infidelity and getting out of toxic relationships. Love can be many things - sometimes intimidating, frustrating, and often exhilarating - this book tells you how to make sense of it.