The Lacuna Lp

New York Times Bestseller • A Best Book of the Year: New York Times, Chicago Tribune, San Francisco Chronicle, Seattle Times, and Kansas City Star • Winner of the Orange Prize “Breathtaking. . . dazzling.” — New York Times Book Review “Her best novel yet. . . both epic and deeply personal. . . . This is thought-provoking, and potentially thought-changing, historical fiction at its best.” — Dallas Morning News In this powerfully imagined, provocative novel, Pulitzer Prize-winning author Barbara Kingsolver takes us on an epic journey from the Mexico of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover. The Lacuna is the poignant story of a man pulled between two nations as well as an unforgettable portrait of the artist—and of art itself. Born in the United States, raised in Mexico, Harrison Shepherd lacks a sense of home in either. Life is whatever he learns from housekeepers who put him to work in the kitchen; from errands he runs in the streets; and, one fateful day, by mixing plaster for famed Mexican muralist Diego Rivera. He discovers a passion for Aztec history and the exotic, imperious artist Frida Kahlo, who will become his lifelong friend. When he goes to work for Lev Trotsky, an exiled political leader fighting for his life, Shepherd inadvertently casts his lot with art and revolution, newspaper headlines and howling gossip, and a risk of terrible violence. Meanwhile, to the north, the United States will soon be caught up in the internationalist goodwill of World War II. There, in the land of his birth, Shepherd believes he might remake himself in America’s hopeful image and claim a voice of his own. Through darkening years, political winds continue to toss him between north and south in a plot that turns many times on the unspeakable breach—the lacuna—between truth and public presumption. With deeply compelling characters, a vivid sense of place, and a clear grasp of how history and public opinion can shape a life, Kingsolver has created a rich and daring work of literature, establishing its author as one of the most provocative and important of her time.

This book constitutes the refereed proceedings of the International Symposium on Logical Foundations of Computer Science, LFCS 2018, held in Deerfield Beach, FL, USA, in January 2018. The 22 revised full papers were carefully reviewed and selected from 22 submissions. The scope of the Symposium is broad and includes constructive mathematics and type theory; homotopy type theory; logic, automata, and automatic structures; computability and randomness; logical foundations of programming; logical aspects of computational complexity; parameterized complexity; logic programming and constraints; automated deduction and interactive theorem proving; logical methods in protocol and program verification; logical methods in program specification and extraction; domain theory logics; logical foundations of database theory; equational logic and term rewriting; lambda andcombinatory calculi; categorical logic and topological semantics; linear logic; epistemic and temporal logics; intelligent and multiple-agent system logics; logics of proof and justification; non-monotonic reasoning; logic in game theory and social software; logic of hybrid systems; distributed system logics; mathematical fuzzy logic; system design logics; and other logics in computer science.

"This is an original, richly evocative analysis of the meanings of Odysseus and Helen across several periods and genres of Greek literary history.... The book is meticulously and persuasively argued throughout." —Laura McClure, author of Spoken Like a Woman: Speech and Gender in Athenian Drama Well before Aristotle's Rhetoric elucidated the elements of verbal style that give writing its persuasive power, Greek poets and prose authors understood the importance of style in creating compelling characters to engage an audience. And because their works were composed in predominantly oral settings, their sense of style included not only the characters' manner of speaking, but also their appearance and deportment. From Homeric epic to classical tragedy and oratory, verbal and visual cues work hand-in-hand to create distinctive styles for literary characters. In this book, Nancy Worman investigates the development and evolution of ideas about style in archaic and classical literature through a study of representations of Odysseus and Helen. She demonstrates that, as liars and imitators, pleasing storytellers, and adept users of costume, these two figures are especially skillful manipulators of style. In tracing the way literary representations of them changed through time—from Homer's positive portrayal of their subtle self-presentations to the sharply polarized portrayals of these same subtleties in classical tragedy and oratory—Worman also uncovers a nascent awareness among the Greek writers that style may be used not only to persuade but also to distract and deceive.

With now (including this vol. 4) six fascicles published, out of 13 planned, the current series Treatise on Zoology -- The Crustacea has become firmly established as the prime carcinological reference for the first part of the 21st century.