The Language Of Old And Middle English Poetry

This book gives a linguistic overview of the first eight centuries of English poetry - years which produced such key works as Beowulf, Layaman's Brut and Sir Gawain and the Green Knight. It begins with chapters on the social and literary context, before turning in more detail to subjects such as poetic diction, rhymed and alliterative verse, borrowed words, recurrent phrases, rhetoric and linguistic variety. Aimed at the beginning student and general reader, the book seeks to enhance appreciation and enjoyment by making the linguistic resources of the poets better understood.

Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.

Originally published in 1939, Early Middle English Literature is a comprehensive overview of various aspects of early Middle English literature. The book examines authorship and provenance and the effect this had upon the literature of the period. This text examines literature from the period of 1066 to 1300 and addresses the transition between Old and Middle English and looks at the effect the transition of language during this period from Anglo-French to English, had on the literature of the time.

Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.

Seminar paper from the year 2001 in the subject English - Literature, Works, grade: 2,0 (B), University of Potsdam (Anglistics/ American Studies), course: Middle English lovelyrics, 6 entries in the bibliography, language: English, abstract: This work deals with the historical background and the origin of Middle English Love Poetry. The origin of a poem can be discovered by taking a closer look at its language. General information about the historical background of the period, the social and literary situation and the purpose of love poetry will be given. The main part will illustrate, which dialects were used in poetry an literary writing. It ́ll also try to locate some well-known poems by means of dialect and social background and give a short interpretation as well.

This essential Middle English textbook, now in its third edition, introduces students to the wide range of literature written in England between 1150 and 1400. New, thoroughly revised edition of this essential Middle English textbook. Introduces the language of the time, giving guidance on pronunciation, spelling, grammar, metre, vocabulary and regional dialects. Now includes extracts from 'Pearl' and Chaucer's 'Troilus and Criseyde'. Bibliographic references have been updated throughout. Each text is accompanied by detailed notes.

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.