The Language Of The Face

A translating tool for the most effective form of non-verbal communication When it comes to revealing their true feelings, most people communicate not with their words, but with their facial expressions. Faces express, both consciously and unconsciously, the inner workings and thoughts. Face Language examines then information that can be found in this common, yet rarely studied language. Complete with simple, direct drawings and photographs interspersed with text that explains what each expression conveys, this is a unique and comprehensive study of human emotions and thoughts.

Acting Face to Face: the Actor's Guide to Understanding How Your Face Communicates Emotion for TV and Film is the first book to define the significant difference between acting for the stage and acting for the camera. That difference being how your face communicates thought, feeling and emotion. The actor who has the tools and skills to create and control how and what their face communicates is the actor most suited to work in front of the camera. Acting Face to Face is also the first book in a series about the "Language of the Face" - or how the face communicates nonverbally. The book is particularly useful for actors transitioning from stage to screen, by clearly defining the difference. On stage, you communicate with your body and voice; on camera you need to add a third means of communication - your face. When you understand this difference, you also understand why only a small percentage of actors get the majority of on-camera work. Acting Face to Face reveals the tools you'll need to level the playing field.Acting Face to Face exposes the myths and misconceptions about on-camera while addressing some of the major challenges most actors face when relying solely on their stage acting training to work in front of the camera. The book contains detailed photos and experiential exercises; it also helps you understand how you personally communicate and what's missing or misunderstood about your facial expressions, so you can take your acting to the next level.After working with thousands of actors and studying the work of leading researchers in the field of emotions for over 10 years, John Sudol - a veteran actor, director, casting director, Hollywood acting teacher and audition coach - has developed this book series, which stands to change the face of acting.Though developed specifically for actors, this book is also helpful to anyone in the communications business who would benefit from knowing how their face nonverbally speaks to others.* The second book of the Language of the Face series, Acting Face to Face 2, How to Create Genuine Emotion for the Camera is now available. Whereas the first Acting Face to Face defined the challenges of On-Camera Acting, Acting Face to Face 2, reveals a step-by-step process to overcoming those challenges.

The body in dreams, myths, legends, and anecdotes of the fantastic as expressions of human corporeality. In The Body Fantastic, Frank Gonzalez-Crussi looks at the human body through the lens of dreams, myths, legends, and anecdotes of the bizarre, exploring the close connection of the fictitious and the fabulous to our conception of the body. He chronicles, among other curious cases, the man who ate everything (including boiled hedgehogs and mice on toast), the therapeutic powers of saliva, hair that burst into flames, and an "amphibian man" who lived under water. Drawing on clinical records, popular lore, and art, history, and literature, Gonzalez-Crussi considers the body in both real and imaginary dimensions. Myths and stories, Gonzalez-Crussi reminds us, are the symbolic expression of our aspirations and emotions. These fantastic tales of bodies come from the deepest regions of the human psyche. Ancient Greeks, for example, believed that the uterus wandered around inside a woman's body--an "animal within an animal." If a woman sniffed an unpleasant odor, the uterus would retreat. Organized "digestive excess" began with the eating and drinking contests of antiquity and continue through the hot-dog eating competitions of today. And the "libido-podalic association," connecting male sexuality and the foot, insinuated itself into mainstream medicine in the sixteenth century; meanwhile, the feet of women in some cultures were scrupulously kept from view. Gonzalez-Crussi shows that the many imaginary representations of the body are very much a part of our corporeality.

"This book offers an original, multifaceted view of physiognomy, which invites the reader to reflect on the mystery of the human face"--

This book contributes to the understanding of first-language loss in both immigrant and indigenous communities in (at least) three ways. First, it provides insight into the process of language loss and the factors contributing to it. Second, it attempts to define, from an insider perspective, what it means to "lose" a language. Third, it analyzes the perceived consequences of first language loss in terms of social, academic, emotional, and economic factors--an approach previously lacking in research on language loss. Most studies of first language loss are impersonal, even when they tell emotional stories. This polyphonic book about language loss and imperfect learning of heritage languages tells the inside story. Easy to read and yet academic, it gives voice to five different storytellers who relate the histories of their first language loss and analyzes themes from 21 life-history case studies of adults who had lost their first languages while learning English. The stories in this book make a compelling argument that heritage languages should be preserved, that ESL should be about developing bilinguals not English monolinguals. Important reading for researchers, practitioners, and graduate students in ESL and bilingual education, multicultural education, cultural studies, and sociology, this book will also interest qualitative researchers as an example of a unique form of both doing and writing research.

A broad and riveting cultural history of physiognomy, exploring how the desire to divine deeper meaning from our looks has compelled humans for millennia. How do you read a face? For thousands of years, artists, philosophers, and scientists have explored the question of what our outer appearance might reveal about our inner selves. In The Language of the Face, a marvelously comprehensive exploration of the pseudoscience of physiognomy, Frank Gonzalez-Crussi considers over a millennium’s worth of primary sources to paint a splendid portrait of the face’s cultural symbology. Gonzalez-Crussi, an acclaimed pathologist and writer, transcends disciplines with a singular balance of depth and levity. Blending literary analysis of both ancient and modern texts with the insights of medical anthropology, his narrative ranges from an investigation into “nasal semiotics”—a subject whose legacy persists most destructively in myths of racial typology—to equally astute analyses of the thrills of the erotic kiss, the diagnostic art of astrology, and the enlightening qualities of supposed ugliness. While our appearances may ultimately be no more than surface-level signifiers of identity, Gonzalez-Crussi’s work is anything but superficial in its treatment of the consummately human urge to find profound meaning amidst seemingly arbitrary attributes. As rigorously researched as it is wildly entertaining, The Language of the Face is a vibrant contribution to both the emerging field of medical humanities and the popular understanding of aesthetics and physiology at large.

A broad and riveting cultural history of physiognomy, exploring how the desire to divine deeper meaning from our looks has compelled humans for millennia. How do you read a face? For thousands of years, artists, philosophers, and scientists have explored the question of what our outer appearance might reveal about our inner selves. In The Language of the Face, a marvelously comprehensive exploration of the pseudoscience of physiognomy, Frank Gonzalez-Crussi considers over a millennium’s worth of primary sources to paint a splendid portrait of the face’s cultural symbology. Gonzalez-Crussi, an acclaimed pathologist and writer, transcends disciplines with a singular balance of depth and levity. Blending literary analysis of both ancient and modern texts with the insights of medical anthropology, his narrative ranges from an investigation into “nasal semiotics”—a subject whose legacy persists most destructively in myths of racial typology—to equally astute analyses of the thrills of the erotic kiss, the diagnostic art of astrology, and the enlightening qualities of supposed ugliness. While our appearances may ultimately be no more than surface-level signifiers of identity, Gonzalez-Crussi’s work is anything but superficial in its treatment of the consummately human urge to find profound meaning amidst seemingly arbitrary attributes. As rigorously researched as it is wildly entertaining, The Language of the Face is a vibrant contribution to both the emerging field of medical humanities and the popular understanding of aesthetics and physiology at large.

This book takes as its starting point the assumption that interpersonal communication is a crucial aspect of successful language learning. Following an examination of different communicative models, the authors focus on traditional face-to-face (F2F) interactions, before going on to compare these with the forms of computer-mediated communication (CMC) enabled by recent developments in educational technology. They also address the question of individual differences, particularly learners' preferred participation styles, and explore how F2F and CMC formats might impact learners differently. This book will be of interest to students and scholars of computer-mediated communication (CMC), computer-assisted language learning (CALL), technology-enhanced language learning (TELL), language acquisition and language education more broadly.