The Largesse Of The Sea Maiden

Twenty-five years after Jesus’ Son, a haunting new collection of short stories on mortality and transcendence, from National Book Award winner and two-time Pulitzer Prize finalist Denis Johnson NATIONAL BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Dwight Garner, The New York Times • Maureen Corrigan, NPR’s Fresh Air • Chicago Tribune • Newsday • New York • AV Club • Publishers Weekly “Ranks with the best fiction published by any American writer during this short century.”—New York “A posthumous masterpiece.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • NPR • The Boston Globe • New York Public Library • Kirkus Reviews • Bloomberg The Largesse of the Sea Maiden is the long-awaited new story collection from Denis Johnson. Written in the luminous prose that made him one of the most beloved and important writers of his generation, this collection finds Johnson in new territory, contemplating the ghosts of the past and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death, this collection is the last word from a writer whose work will live on for many years to come. Praise for The Largesse of the Sea Maiden “An instant classic.”—Newsday “Exceptional luminosity . . . hits a powerful vein.”—The New York Times Book Review “Grace and oblivion are inextricably yoked in these transcendent stories. . . . [Johnson’s] gift is to extract the beauty in all that brokenness.”—The Wall Street Journal “Nobody ever wrote like Denis Johnson. Nobody ever came close. . . . We’re just left with this miraculous book, these perfect stories, the last words from one of the world’s greatest writers.”—NPR

Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years’ absence, he returns to Freetown, the capital of Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country’s civil war, and, curious to see whether good luck will strike twice in the same place, Nair allows himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian Army, the Kuwaiti Emiri Guard, and the American Green Berets. He’s probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Michael’s stated reason for inviting his friend to Freetown is that Nair should meet Michael’s fiancee, a college girl named Davidia from Colorado. Together the three set out to visit Michael’s clan in the Uganda-Congo borderland—but each of these travellers is keeping secrets from the others. Shadowed by Interpol, the Mossad, and MI-6, Nair gets mired in lust and betrayal in a landscape of frighteningly casual violence as he travels with Adriko and Davidia, gets smuggled into a war zone, kidnapped by the Congo Army, and terrorized by a self-proclaimed god ruling over a dying village. Their journey through a land abandoned by the future leads Adriko, Nair and Davidia to meet themselves not in a new light, but rather in a new darkness. A high-suspense tale of kaleidoscoping loyalties in the post-9/11 world, The Laughing Monsters shows one of our great novelists at the top of his game.

Once upon a time there was a war . . . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me. This is the story of Skip Sands—spy-in-training, engaged in Psychological Operations against the Vietcong—and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson's first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Tree of Smoke is the 2007 National Book Award Winner for Fiction.

'Daring and provocative... Startlingly original' New York Times The nuclear holocaust has been and gone, and now everything is different. In Twicetown, once Key West, two missiles sit unexploded, objects of awe and indifference. Mr Cheung teaches the boy Fiskadoro to play the clarinet; Grandmother Wright, the oldest person in the world, endlessly relives the fall of Saigon; Cassius Clay Sugar Ray trades in radioactive artefacts. Boats go out to comb the sea for fish, and the sea keeps some of the men. Tossing fitfully in nightmares of forgotten wars, lazing in the tropical heat, the flotsam and jetsam of a lost civilization pursue their lives through a world of fractured memories. And they wait - for the Cubans to come, for the Quarantine to be lifted, for the god Quetzalcoatl, the god Bob Marley, the god Jesus to return and build their kingdoms. From the author of Tree of Smoke, winner of the National Book Award for Fiction

A literary thriller and love story set during the Nicaraguan revolution, from the National Book Award winner and two-time Pulitzer Prize finalist. • Now the basis for a major motion picture Set in Nicaragua in 1984, The Stars at Noon is a story of passion, fear, and betrayal told in the voice of an American woman whose mission in Central America is as shadowy as her surroundings. Is she a reporter for an American magazine, as she sometimes claims, or a contact person for the anti-war group Eyes of Peace? And who is the rough English businessman she begins an affair with? The two foreigners become entangled in sinister plots and ever-widening webs of corruption, until a desperate attempt to escape the country brings their relationship to a crisis point. With his customary narrative brilliance, award-winning writer Denis Johnson brings a hellish landscape of moral ambiguity vividly to life.

Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The raw beauty and careening energy of Denis Johnson's prose has earned this book a place among the classics of twentieth-century American literature.

A New York Times Notable Book for 2011 One of The Economist's 2011 Books of the Year One of NPR's 10 Best Novels of 2011 From the National Book Award-winning author Denis Johnson (Tree of Smoke) comes Train Dreams, an epic in miniature, and one of Johnson's most evocative works of fiction. Suffused with the history and landscapes of the American West—its otherworldly flora and fauna, its rugged loggers and bridge builders—this extraordinary novella poignantly captures the disappearance of a distinctly American way of life. It tells the story of Robert Grainer, a day laborer in the American West at the start of the twentieth century—an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime.

The acclaimed author of Jesus' Son and Already Dead returns with a beautiful, haunting, and darkly comic novel. The Name of the World is a mesmerizing portrait of a professor at a Midwestern university who has been patient in his grief after an accident takes the lives of his wife and child and has permitted that grief to enlarge him. Michael Reed is living a posthumous life. In spite of outward appearances -- he holds a respectable university teaching position; he is an articulate and attractive addition to local social life -- he's a dead man walking. Nothing can touch Reed, nothing can move him, although he observes with a mordant clarity the lives whirling vigorously around him. Of his recent bereavement, nearly four years earlier, he observes, "I'm speaking as I'd speak of a change in the earth's climate, or the recent war." Facing the unwelcome end of his temporary stint at the university, Reed finds himself forced "to act like somebody who cares what happens to him. " Tentatively he begins to let himself make contact with a host of characters in this small academic town, souls who seem to have in common a tentativeness of their own. In this atmosphere characterized, as he says, "by cynicism, occasional brilliance, and small, polite terror," he manages, against all his expectations, to find people to light his way through his private labyrinth. Elegant and incisively observed, The Name of the World is Johnson at his best: poignant yet unsentimental, replete with the visionary imaginative detail for which his work is known. Here is a tour de force by one of the most astonishing writers at work today.