The Last David And Other Poems

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Reprint of the original, first published in 1883.

Excerpt from The Last David, and Other Poems The King is fallen And the cry, caught up By them within, flew like the wildfire, on Through the broad city to the Temple walls, And hung on Hinnom valley like a cloud. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Explore the feelings of a man who is like many others: He feels guilty about being attracted to someone other than his wife. It's during these moments that he clamps down on his desires, knowing that it could endanger his marriage and family life. But still, his responsibilities as a parent have him wishing he could escape into the arms of another. Find out how he battles through his urges in this book's first selection of poems, titled "Trepidations." With moving candor, he delves into his moments of mental infidelity to his wife. The poet follows that up with "Celebrations," a second grouping of poems in which he expresses his appreciation to his loving wife. Using a stylistic approach dubbed "cosmopolitan formalism," these poems are meant to appeal to all people, regardless of their gender, sexuality or background. Weed through the tricky problems of a serious relationship and find a love that lasts in Celebrations and Other Poems.

The metaphysical outrage and indignation contained within these verses, for the most part formal yet seething with fury, has its only parallel in Wilfred Owen's terrible indictments of the first Great War. There is a significant difference, however. The poet's torment is expressed in the face of God and His Creation and not simply humankind's personal handiwork. The lure of Swartz's "Hothouse" is how dangerously it verges on disintegration and madness. The trial, simply stated, is why, a boundless WHY? hurled into abyss. Only more fearful is the implied silence, the calculated indifference of the answer. The four long poems comprising Part Two are a lull in the rage of the opening section. The poet, while certainly not at ease with his Maker's universe, attempts, even, to entertain, while having his own private jokes with Bard Himself. Part Three includes two representative dramatic poems. The first, "Last Supper," depicts the final moments of Christopher Marlowe, the second, "The Hitler Sonata," those of Adolf Hitler, a disturbing, powerful read. If Plath confronted demons in her brilliant final anguish, the author of THESE skillful, wrenching poems assails the very source of them. One cannot leave this book behind.