The Last Days Of Disco

Bobby and Joey's new mobile disco business seems like the answer to everything, until they lock horns with the local gangster ... First in the critically acclaimed, hilarious and heartbreaking Disco Days Trilogy, by one of Scotland's finest writers. ***Longlisted for the Authors' Club First Novel Award*** 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'Warm, funny and evocative' Chris Brookmyre –––––––––––––––––––––––– Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's empire... Bobby Cassidy and Joey Miller have been best mates since primary school. Joey is an idealist; Bobby just wants to get laid and avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the answer to everything. The Last Days of Disco is about family, music, small-time gangsters ... and the fear of being sent to the Falklands by the biggest gangster of them all. Witty, energetic and entirely authentic, it's also heartbreakingly honest, weaving together tragedy and comedy with an uncanny and unsettling elegance. A simply stunning debut. –––––––––––––––––––––––– 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'Captures the time, the spirit ... I loved it' John Niven 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page, The Last Days of Disco is as warm and authentic as Roddy Doyle at his very best' Nick Quantrill

Bobby and Joey's new mobile disco business seems like the answer to everything, until they lock horns with the local gangster ... First in the critically acclaimed, hilarious and heartbreaking Disco Days Trilogy, by one of Scotland's finest writers. ***Longlisted for the Authors' Club First Novel Award*** 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope. It will make you laugh. It will make you cry. It s rude, keenly observed and candidly down to earth' Liam Rudden, Scotsman 'Warm, funny and evocative' Chris Brookmyre –––––––––––––––––––––––– Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's empire... Bobby Cassidy and Joey Miller have been best mates since primary school. Joey is an idealist; Bobby just wants to get laid and avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the answer to everything. The Last Days of Disco is about family, music, small-time gangsters ... and the fear of being sent to the Falklands by the biggest gangster of them all. Witty, energetic and entirely authentic, it's also heartbreakingly honest, weaving together tragedy and comedy with an uncanny and unsettling elegance. A simply stunning debut. –––––––––––––––––––––––– 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'More than just a nostalgic recreation of the author's youth, it's a compassionate, affecting story of a family in crisis at a time of upheaval and transformation, when disco wasn't the only thing whose days were numbered' Herald Scotland 'There's a bittersweet poignancy to David F. Ross's debut novel, The Last Days of Disco' Edinburgh Evening News 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'Dark, hilarious and heartbreaking' Muriel Gray 'Captures the time, the spirit ... I loved it' John Niven 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page, The Last Days of Disco is as warm and authentic as Roddy Doyle at his very best' Nick Quantrill

During the last days of the disco era, in the early 1980s, a popular dance club becomes the center of nightlife for a group of not-quite innocent young people new to Manhattan.

O'Meara highlights how speech can be central to cinema without overshadowing its medium-specific components, and demonstrates how indie dialogue can instead hinge on an idea of cinematic verbalism.

Diversity and "perspective by incongruity" dene the approach to changing times in this fourth volume of the First of the Year series. Insights come from interesting minds in unobvious juxtapositions. First's roster of irreverent?and holy!?regulars includes Amiri Baraka, Bernard Avishai, Uri Avnery, Chuck D, Diane di Prima, Fr. Rick Frechette, Donna Gaines, Lawrence Goodwyn, Roxane Johnson, W.T. Lhamon Jr., Philip Levine, Kanan Makiya, Bongani Madondo, Greil Marcus, Charles O'Brien, Judy Oppenheimer, Tom Smucker, Fredric Smoler, A.B. Spellman, Scott Spencer, Robert Farris Thompson, Richard Torres, David Waldstreicher, and Armond White.Their angles on history and history in the making are enhanced by contributions from new members of First's family of defamiliarizers such as Peter Brown, Wesley Brown, Mark Dudzic, Robert Hullot-Kentor, and Aram Saroyan.Perspectives by Incongruity touches down in Kashmir, Haiti, South Africa, and Indonesia. There's a vital section devoted to the Arab Spring. But the volume homes in on the U.S.A. as well, digging into race and class structures of feeling (and fantasy). It means to comprehend the Obama era in real time. Music is key to Perspectives by Incongruity's offbeat truth-telling. Contributors sound off on Jay Z and Kanye West, mambo and Afropop, Dylan and Coltrane, Sun Ra and Arcade Fire. First's meaning is (as ever) in the mix.

Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.

From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET.

American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.