The Last Flicker

Long Ago Dharam SinghýS Father Had Brought Thola To This Village. He Treated Him As His Own Brother And Had Even Gifted Four Bighas Of Land To Him. After TholaýS Death, Dharam Singh Took Sole Responsibility Of His Son Jagsir And His Mother Nandi. Over The Year, However, Things Changed. The Position Of Dharam Singh Weakened In His Family. Bhanta, His Son Who Had Always Opposed Dharam SinghýS Affectionate Regard For Jagsir Took No Time To Grab Back The Land Gifted By His Grand Father To Thola And Also Raced To The Ground, The Monument Erected By Jagsir In Memory Of His Father. The Aging Nandi Dies Of Shock. The Tragedy Of Jagsir Is Not Confined To This. It Is Also A Tragedy Of Unfulfilled Love For Bhani, NikkaýS Wife. Though His Long Years Of Loneliness, It Is Opium Which Somewhat Alleviates The Storm Raging Inside Him.

The story of Jagseer Singh, with his piquant individual and social situation, is actually a story that is very personal in appeal but carries a distinct political message. Lonely, and at the end, left derelict, Jagseer's story is reflective of how social hierarchy, caste struggle and economic exploitation can break the soul of an individual and create chaos in social and personal relationship. The tragedy of Jagseer, enlivened all the more by his unrequited love for his friend Nikka's wife, Bhani, and alleviated by his addiction to opium, opens up the feudal environs of the Punjab villages before the reader a bit surreptitiously making the characters and the story grow upon them slowly but surely.

From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies--a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth--the sexy sirens, the screwball comedies, the high romance--take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

A New York Times Bestseller “A smart, edge-of-your-seat story with plot twists you’ll never see coming. Stacy Willingham’s debut will keep you turning pages long past your bedtime.” —Karin Slaughter When Chloe Davis was twelve, six teenage girls went missing in her small Louisiana town. By the end of the summer, her own father had confessed to the crimes and was put away for life, leaving Chloe and the rest of her family to grapple with the truth and try to move forward while dealing with the aftermath. Now twenty years later, Chloe is a psychologist in Baton Rouge and getting ready for her wedding. While she finally has a fragile grasp on the happiness she’s worked so hard to achieve, she sometimes feels as out of control of her own life as the troubled teens who are her patients. So when a local teenage girl goes missing, and then another, that terrifying summer comes crashing back. Is she paranoid, seeing parallels from her past that aren't actually there, or for the second time in her life, is Chloe about to unmask a killer? From debut author Stacy Willingham comes a masterfully done, lyrical thriller, certain to be the launch of an amazing career. A Flicker in the Dark is eerily compelling to the very last page.

Have you been wondering as a Christian, or non-Christian, what many think -- and expect -- will happen in the "last days" or "end times" with all the talk and focus in the headlines -- and some churches -- about our future? And with all the events taking place in the Middle East, especially Israel? And Iran? Are you confused because of various end-time scenarios and conflicting opinions promoted through popular books on prophecy, the Left Behind series, televangelists, preachers, and others speaking of a great tribulation, rapture, Armageddon, Apocalypse, the destruction of the earth, a new heaven and earth, a second coming, and a millennium? There has been an overload of teaching and information about these things over the last century -- however sincere and cloaked in good intentions -- yet with long-held and deep-seated traditions and doctrines, all borne of a lack of accurate knowledge (particularly the Hebrew and Greek) and information based on compelling evidence. Would you like to know what the Bible actually says about all these issues? For God's Word itself -- "Let Scripture Interpret Scripture" -- and the Holy Spirit are the only necessary interpreters. The Last Days Are Left Behind will challenge your thinking, help to erase the confusion, and provide clarity regarding the present-day purpose of God. Author James Ellis demonstrates end-time truth based logically on solid evidence after a linguistically accurate, biblically consistent, and intellectually honest examination of the Bible's prophetic passages and verses, the original languages -- Hebrew and Greek, the social, cultural, and historical context of Scripture, and the relevance of the audience spoken or written to in God's Word.