The Last Great War Of Antiquity

The last great war of antiquity was fought on an unprecedented scale along the full length of the Persian-Roman frontier. James Howard-Johnston pieces together the fragmentary evidence of this period to form, for the first time, a coherent story of the dramatic events, key players, and vast lands over which the conflict spread.

The last and longest war of classical antiquity was fought in the early seventh century. It was ideologically charged and fought along the full length of the Persian-Roman frontier, drawing in all the available resources and great powers of the steppe world. The conflict raged on an unprecedented scale, and its end brought the classical phase of history to a close. Despite all this, it has left a conspicuous gap in the history of warfare. This book aims to finally fill that gap. The war opened in summer 603 when Persian armies launched co-ordinated attacks across the Roman frontier. Twenty-five years later the fighting stopped after the final, forlorn counteroffensive thrusts of the Emperor Heraclius into the Persians' Mesopotamian heartland. James Howard-Johnston pieces together the scattered and fragmentary evidence of this period to form a coherent story of the dramatic events, as well as an introduction to key players-Turks, Arabs, and Avars, as well as Persians and Romans- and a tour of the vast lands over which the fighting took place. The decisions and actions of individuals-particularly Heraclius, a general of rare talent-and the various immaterial factors affecting morale take centre stage, yet due attention is also given to the underlying structures in both belligerent empires and to the Middle East under Persian occupation in the 620s. The result is a solidly founded, critical history of a conflict of immense significance in the final episode of classical history.

The last great war of antiquity was fought on an unprecedented scale along the full length of the Persian-Roman frontier. James Howard-Johnston pieces together the fragmentary evidence of this period to form, for the first time, a coherent story of the dramatic events, key players, and vast lands over which the conflict spread.

James Howard-Johnston here focuses on the last great war of antiquity, that between East Rome and Sasanian Persia (603-628) which brought the classical phase of west Eurasian history to a dramatic close. He strives to root history in close observation of

Sparta, Macedonia, and Rome--how did these nations come to dominate the ancient world? Lendon shows readers that the most successful armies were those that made the most effective use of cultural tradition.

The Roman Emperor ran the Empire through contentious committee meetings at which civil, military and religious policies were debated.

Gabriel examines 18 ancient army systems, examining the organizational structure and weapons employed and the degree to which cultural values and imperatives shaped the form and application of military force. The tactical doctrines and specific operational capabilities of each army are analyzed to explain how certain technical limitations and societal/cultural imperatives affected the operational capabilities of ancient armies. Cross-cultural and cross-historical connections ground the analysis in the larger historical context of the ancient world. •Sumer and Akkad •The Armies of the Pharaohs •The Hittites •The Mitanni •Armies of the Bible •The Iron Army of Assyria •Chinese Armies •Persia and the Art of Logistics •The Greeks •Carthaginian Armies •Armies of India •Rome •The Iberians, Celts, Germans, and Goths •The Army of Byzantium •The Vikings •The Arab Armies •The Japanese Way of War •The Mongols •The Ottomans This book also provides an introductory overview of war in the ancient world, from 2500 B.C.E. to 1453 C.E., as well as an examination of the evolution of modern warfare from 1453 to 2002 C.E.

This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the "memory boom" is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers "theaters of memory"-film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.