The Last Humanity

The last human in the universe must battle unfathomable alien intelligences—and confront the truth about humanity—in this ambitious, galaxy-spanning debut “A good old-fashioned space opera in a thoroughly fresh package.”—Andy Weir, author of The Martian “Big ideas and believable science amid a roller-coaster ride of aliens, AI, superintelligence, and the future of humanity.”—Dennis E. Taylor, author of We Are Legion Most days, Sarya doesn’t feel like the most terrifying creature in the galaxy. Most days, she’s got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn’t casually eviscerate one of their neighbors. Again. And most days, she can almost accept that she’ll never know the truth—that she’ll never know why humanity was deemed too dangerous to exist. Or whether she really is—impossibly—the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered. Thrown into the universe at the helm of a stolen ship—with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands—Sarya begins to uncover an impossible truth. What if humanity’s death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table—and a second chance for humanity? The Last Human is a sneakily brilliant, gleefully oddball space-opera debut—a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.

They were dead. All of them. In the wake of a massacre, Ella, Bray, and William flee into the wild, hoping to escape the brutal vengeance of an unforgiving leader. In Brighton, political and economic tensions boil. Famine is approaching. The monsters are amassing. And a costly decision must be made, one that will threaten the lives of humanity's last survivors...

In a world ruled by machines, a young robot encounters a girl who needs help in this children’s sci-fi adventure—soon to be a major motion picture! Humans went extinct thirty years ago. And twelve-year-old robot XR_935 is just fine with that. Without humans around, there is no war, crime, or pollution. Everything runs smoothly and efficiently. Until the day XR discovers something impossible: a human girl named Emma. Now, Emma, XR, and two other robots must embark on a dangerous voyage in search of a mysterious point on a map. But how will they survive in a place where rules are never broken and humans aren’t even supposed to exist? Narrated in the first person (first robot?) by XR, The Last Human blends humor and action to tell a story about friendship, technology, and challenging the status quo no matter the consequences. It’s not just about what it means to be a robot. It’s about what it means to be a human./

In the course of more than twenty works François Laruelle has developed one of the most singular and unique ways of thinking within contemporary philosophy. This volume develops the style of his late work, which has sought to combine the idioms of diverse areas (from the language of quantum mechanics to theology, messianism and Gnosticism) to create non-standard philosophical fictions which further articulate his thinking of radical immanence in relation to wide-ranging themes and concerns. The focus here is a reassessment of his attempt to rethink what it means to be human. Much of that work has taken place through an engagement with science, politics and religion, but now we see Laruelle confronting the challenge of ecology for his kind of humanism (which he would call a 'non-humanism', meaning a non-standard humanism). This challenge is one of thinking of the ethical demands of other entities within a general ecology. Namely the lives of plants and other vegetation alongside that of animals. Dealing with the intersections between science and philosophy in current French thought, this book is of particular interest to those concerned with the philosophical innovation and renewal of ecological thought that have influenced ecological theory. The first English translation of a key work from this highly original experimental philosopher, it will surely help cement his place in the firmament of avant-garde French thinkers, from Derrida and Deleuze to Badiou.

Foreword / by Cynthia McKinney -- Introduction: Careening toward extinction -- We're all in this together -- Dismantling white supremacy -- Climate justice versus the anthropocene -- Humanity on the move : justice and migration -- Dismantling the ivory tower.

Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.

The bestselling, award-winning author of The Midnight Library offers his funniest, most devastating dark comedy yet, a “silly, sad, suspenseful, and soulful” (Philadelphia Inquirer) novel that’s “full of heart” (Entertainment Weekly). When an extra-terrestrial visitor arrives on Earth, his first impressions of the human species are less than positive. Taking the form of Professor Andrew Martin, a prominent mathematician at Cambridge University, the visitor is eager to complete the gruesome task assigned him and hurry home to his own utopian planet, where everyone is omniscient and immortal. He is disgusted by the way humans look, what they eat, their capacity for murder and war, and is equally baffled by the concepts of love and family. But as time goes on, he starts to realize there may be more to this strange species than he had thought. Disguised as Martin, he drinks wine, reads poetry, develops an ear for rock music, and a taste for peanut butter. Slowly, unexpectedly, he forges bonds with Martin’s family. He begins to see hope and beauty in the humans’ imperfection, and begins to question the very mission that brought him there. Praised by The New York Times as a “novelist of great seriousness and talent,” author Matt Haig delivers an unlikely story about human nature and the joy found in the messiness of life on Earth. The Humans is a funny, compulsively readable tale that playfully and movingly explores the ultimate subject—ourselves.

Fear reigns in the realm of THE LAST SURVIVORS... With death running through the forest on demons' feet and humanity bleeding dry in the hearts of men, does the deadliest evil already live within Brighton's walls?