The Last Of Us And Theology

With a catastrophic fungal pandemic, the post-apocalypse, a moral quest despite societal breakdowns, humans hunting humans or morphed into grotesque infected, The Last of Us video games and HBO series have exhilarated, frightened, and broken the hearts of millions of gamers and viewers. The Last of Us and Theology: Violence, Ethics, Redemption? is a richly diverse and probing edited volume featuring essays from academics across the world to examine theological and ethical themes from The Last of Us universe. Divided into three groupings—Violence, Ethics, and Redemption?—these chapters will especially appeal to The Last of Us fans and those interested in Theology and Pop Culture more broadly. Chapters not only grapple with theologians, ethicists, and novelists like Cormac McCarthy, Fyodor Dostoevsky, Martin Buber, and Paul Tillich; and theological issues from forgiveness and theodicy to soteriology and eschatology; but will help readers become experts on all things fireflies, clickers, Cordyceps, and Seraphites. “Save who you can save” and “Look for the Light.”

Daniel Bell assesses the impact of Christian resistance to capitalism in Latin America, and the implications of theological debates that have emerged from this. He uses postmodern critical theory to investigate capitalism, its effect upon human desire and the Church's response to it, in a thorough account of the rise, failure and future prospects of Latin American liberation theology.

This study shows how the trinitarian theology of Hans Urs von Balthasar opens up an aproach to the controverted question of God's immutability and impassibility which succeeds in respecting both the transcendence and the immanence of God. Contrary to both Process thought and the classical Thomist position, von Balthasar's scattered treatment is here presented thematically, in a way which makes it clear that his idea of an analogous event in the trinitarian God (in which we participate) is a radical reinterpretation of the traditional Christian axiom of divine immutability. In the course of outlining the distinctiveness of von Balthasar's approach, O'Hanlon introduces the reader to some of the fundamental themes of one of the major Roman Catholic theologians of this century, who is still relatively unknown in the English-speaking world.

It has rarely been recognized that the Christian writers of the first millennium pursued an ambitious and exciting philosophical project alongside their engagement in the doctrinal controversies of their age. The Rise of Christian Theology and the End of Ancient Metaphysics offers, for the first time, a full analysis of this Patristic philosophy. It shows how it took its distinctive shape in the late fourth century and gives an account of its subsequent development until the time of John of Damascus. The book falls into three main parts. The first starts with an analysis of the philosophical project underlying the teaching of the Cappadocian fathers, Basil of Caesarea, Gregory of Nyssa and Gregory of Nazianzus. This philosophy, arguably the first distinctively Christian theory of being, soon became near-universally shared in Eastern Christianity. Just a few decades after the Cappadocians, all sides in the early Christological controversy took its fundamental tenets for granted. Its application to the Christological problem thus appeared inevitable. Yet it created substantial conceptual problems. Parts two and three describe in detail how these problems led to a series of increasingly radical modifications of the Cappadocian philosophy. In part two, Zachhuber explores the miaphysite opponents of the Council of Chalcedon, while in part three he discusses the defenders of the Council from the early sixth to the eighth century. Through this overview, the book reveals this period as one of remarkable philosophical creativity, fecundity, and innovation.

The task of theology is to translate the priceless message of the gospel of Christ from its ancient sources into current experiences and patterns of thought. In this first volume, the author presents a lucid and accessible account of the Word of God and challenges his readers to find their own responses to this message. In volume II he interprets the classical assertions of the Christian faith in terms of Gods creative and redemptive project.