The Last Supper Of Chicano Heroes

Widely considered one of the most important voices in the Chicano literary canon, José Antonio Burciaga was a pioneer who exposed inequities and cultural difficulties through humor, art, and deceptively simple prose. In this anthology and tribute, Mimi R. Gladstein and Daniel Chacón bring together dozens of remarkable examples of Burciaga’s work. His work never demonstrates machismo or sexism, as he believed strongly that all Chicano voices are equally valuable. Best known for his books Weedee Peepo, Drink Cultura, and Undocumented Love, Burciaga was also a poet, cartoonist, founding member of the comedy troupe Cultura Clash, and a talented muralist whose well-known work The Last Supper of Chicano Heroes became almost more famous than the man. This first and only collection of Burciaga’s work features thirty-eight illustrations and incorporates previously unpublished essays and drawings, including selections from his manuscript “The Temple Gang,” a memoir he was writing at the time of his death. In addition, Gladstein and Chacón address Burciaga’s importance to Chicano letters. A joy to read, this rich compendium is an important contribution not only to Chicano literature but also to the preservation of the creative, spiritual, and political voice of a talented and passionate man.

Presents the Chicano experience of living within, between, and sometimes outside two cultures, exploring the damnation, salvation, and celebration of it all.

The U.S.-Mexico border region is home to anthropologist Carlos VŽlez-Ib‡–ez. Into these pages he pours nearly half a century of searching and finding answers to the Mexican experience in the southwestern United States. He describes and analyzes the process, as generation upon generation of Mexicans moved north and attempted to create an identity or sense of cultural space and place. In todayÕs border fences he also sees barriers to how Mexicans understand themselves and how they are fundamentally understood. From prehistory to the present, VŽlez-Ib‡–ez traces the intense bumping among Native Americans, Spaniards, and Mexicans, as Mesoamerican populations and ideas moved northward. He demonstrates how cultural glue is constantly replenished by strengthening family ties that reach across both sides of the border. The author describes ways in which Mexicans have resisted and accommodated the dominant culture by creating communities and by forming labor unions, voluntary associations, and cultural movements. He analyzes the distribution of sadness, or overrepresentation of Mexicans in poverty, crime, illness, and war, and shows how that sadness is balanced by creative expressions of literature and art, especially mural art, in the ongoing search for space and place. Here is a book for the nineties and beyond, a book that relates to NAFTA, to complex questions of immigration, and to the expanding population of Mexicans in the U.S.-Mexico border region and other parts of the country. An important new volume for social science, humanities, and Latin American scholars, Border Visions will also attract general readers for its robust narrative and autobiographical edge. For all readers, the book points to new ways of seeing borders, whether they are visible walls of brick and stone or less visible, infinitely more powerful barriers of the mind.

Examine the fascinating details of the daily lives of the ancient Aztecs through this innovative study of their social history, culture, and continuing influence, written from the perspective of the history of religions. Utilizing insights from the discipline known as the history of religions, as well as new discoveries in archaeology, pictorial manuscripts, and ritual practices, Daily Life of the Aztecs, Second Edition weaves together a narrative describing life from the bottom of the Aztec social pyramid to its top. This new and surprising interpretation of the Aztecs puts a human face on an ancient people who created beautiful art and architecture, wrote beautiful poetry, and loved their children profoundly, while also making war and human sacrifice fundamental parts of their world. The book describes the interaction between the material and the imaginative worlds of the Aztecs, offering insights into their communities, games, education, foodways, and arts, as well as the sacrificial rituals they performed. The authors also detail the evolution of the Aztec state and explores the continuity and changes in Aztec symbols, myths, and ritual practices into the present day.

Simultaneously arising out of such diverse contexts as the black community in the United States, grassroots religious communities in Latin America, and feminist circles in North Atlantic countries, theologies of liberation have emerged as a resource and inspiration for people seeking social and political freedom. Over the last three decades, liberation theology has irrevocably altered religious thinking and practice throughout the Americas. Liberation Theologies, Postmodernity and the Americas provides a meaningful and spirited debate on vital interpretive issues in religion, philosophy, and ethics. The renowned group of scholars explore liberation theologies' uses of discourses of emancipation, revolution and utopia in contrast with postmodernism's suspicion of grand narratives, while assessing what the postmodernism/liberation debate means for strategies of social and political transformation. Guided by the experiences of those at the margins of social power, liberation theologies demystify the eurocentric myths of secularization and modernity, and calls for a re-appraisal of religion in contemporary societies. Contributors: Edmund Arens, David Batstone, Maria Clara Bingemer, Enrique Dussel, Gustavo Gutierrez, Jurgen Habermas, Franz Hinkelammert, Dwight Hopkins, Lois Ann Lorentzen, Eduardo Mendieta, Amos Nascimento, Elsa Tamez, Mark McLain Taylor, and Sharon Welch, Robert Allen Warrior

As Food Studies has grown into a well-established field, literary scholars have not fully addressed the prevalent themes of food, eating, and consumption in Chicana/o literature. Here, contributors propose food consciousness as a paradigm to examine the literary discourses of Chicana/o authors as they shift from the nation to the postnation.

With more than 600 full-color images, this book celebrates the art organizations that have promoted Mexican American art and served as art education centers for their communities. Their efforts have produced a significant body of collectible works that inspire through their artistry. Vividly showcasing many of these works on generously sized pages, this coffee-table book is the fourth volume in the series that began with the award-winning Contemporary Chicana and Chicano Art: Artists, Works, Culture, and Education. A companion DVD is planned for release in 2006.

Clarissa was born into wealth and privilege, as a child, shooting and hunting were the norm and pigeons were flown in from Cairo for supper. Her mother was an Australian heiress, her father was a brilliant surgeon to the Royal family. But he was also a tyrannical and violent drunk who used to beat her and force her to eat carrots with slugs still clinging to them. Clarissa was determined and clever, though, and her ambition led her to a career in the law. At the age of 21, she was the youngest ever woman to be called to the Bar. Disaster struck when her adored mother died suddenly. It was to lead to a mind-numbing decade of wild over-indulgence. Rich from her inheritance, in the end Clarissa partied away her entire fortune. It was a long, hard road to recovery along which Clarissa finally faced her demons and turned to the one thing that had always brought her joy - cooking. Now at last she has found success, sobriety and peace. With the stark honesty and the brilliant wit we love her for, Clarissa recounts the tale of a life lived to extremes. A vivid and funny story, it is as moving as it is a cracking good read.