The Last Witch In Edinburgh

For fans of Sarah Penner’s The Lost Apothecary and Alix E. Harrow’s The Once and Future Witches, this lush, atmospheric novel from the author of Where Ivy Dares to Grow blends witchcraft, queer love, a vibrant Edinburgh setting, and Scottish folklore for a propulsive and emotional story exploring what it means to resist the patriarchy and find your voice. “A lyrical and hauntingly beautiful new voice.” —Hester Fox, Author of A Lullaby for Witches In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.

'Compelling, evocative, heart-wrenching and beautifully written. Highly recommended.' - Fiona Valpy, author of The Storyteller of Casablanca Being a woman was her only crime. Scottish Highlands, 1727. In the aftermath of a tragic fire that kills her father, Aila and her mother, Janet, move to the remote parish of Loth, north-west of Inverness. Blending in does not come easily to the women: Aila was badly burned in the fire and left with visible injuries, while her mother struggles to maintain her grip on reality. When a temporary minister is appointed in the area, rather than welcome the two women, he develops a strange curiosity for them that sets them even further apart from the community. Then arrives a motley troupe of travelling entertainers from Edinburgh, led by the charismatic but mysterious Jack. It is just the distraction Janet, and particularly Aila, needs: for the first time in a long while, their lives are filling with joy and friendship, and a kind of hope Aila hasn't known since her father's death. But in this small community, faith is more powerful than truth, and whispers more dangerous even than fire. Haunting and deeply moving, The Last Witch of Scotland is a story of love, loyalty and sacrifice, inspired by the true story of the last person to be executed for witchcraft in Britain. Perfect for fans of Outlander, The Mercies and The Witches of Vardo, or for anyone with an interest in the history of witchcraft, late renaissance Scotland and Highland history.

A powerful, poetic and unsettling supernatural thriller.-Scotsman

Rona Munro's 'The Last Witch' tells the story of the last woman to be executed for witchcraft in the British Isles. It is based on the historical account of Janet Horne, the alleged witch of Dornoch in the Scottish Highlands, who was executed in 1727.

This volume provides a valuable introduction to the key concepts of witchcraft and demonology through a detailed study of one of the best known and most notorious episodes of Scottish history, the North Berwick witch hunt, in which King James was involved as alleged victim, interrogator, judge and demonologist. It provides hitherto unpublished and inaccessible material from the legal documentation of the trials in a way that makes the material fully comprehensible, as well as full texts of the pamphlet News from Scotland and James' Demonology, all in a readable, modernised, scholarly form. Full introductory sections and supporting notes provide information about the contexts needed to understand the texts: court politics, social history and culture, religious changes, law and the workings of the court, and the history of witchcraft prosecutions in Scotland before 1590. The book also brings to bear on this material current scholarship on the history of European witchcraft.

The years between 1600 and 1700 were a period of war, famine, plague and religious upheaval in Scotland.A time when ordinary women, and men, of the Scottish Borders who fell under the suspicion of the Kirk would face interrogation and torture.A time when fear of Auld Nick turned the world upside down and the cry of witch would almost always lead to the rope and the flame.Mary Craig explores this tremulous period of Scottish history and examines the causes and effects of the 17th century witchcraft trials and executions in the Scottish Borders.

This book is a collection of essays on Scottish witchcraft and witch-hunting, which covers the whole period of the Scottish witch-hunt, from the mid-16th century to the early 18th. It particularly emphasizes the later stages, since scholars are now as keen to explain why witch-hunting declined as why it occurred. There are studies of particular witchcraft panics, including a reassessment of the role of King James VI. The book thus covers a wide range of topics concerned with Scottish witch-hunting - and also places it in the context of other topics: gender relations, folklore, magic and healing, and moral regulation by church and state.