The Latin Church Music

The Chants of The Roman Missal: Study Edition is for celebrants, cantors, scholars, musicians, and everyone interested in the English chant of the newly translated Roman Missal. Introductory articles on the place of English chant in worship, the value of chanting the dialogues and acclamations, and the challenges involved in adapting Latin chant to English are included. Also featured is commentary on every English chant in the new missal by genre 'the Order of Mass, acclamations, prefaces, hymns, and antiphons. This work will prove indispensible to presbyters, deacons, and cantors who hope to be prepared to chant the Mass, for music and liturgy directors, and for anyone interested in singing the English chant in our missal with greater understanding and prayerfulness.

How to Beat the Cost of Implementing CBW IIIHow your parish can get CBW III without straining its budget: 1) Two-year interest-free financing option allows you to pay in instalments-No payment for 90 days! Order 50 copies or more of CBW III (any combination of Choir and Pew editions). Upon receipt of the invoice, you have three months to pay only one third (1/3) of the amount billed. Pay the second third on the anniversary date of your invoice (a year later), and the last third the following year. No interest will be charged during this period. (Please note that our offer for a two-year interest-free payment plan does not apply to discounted orders.) or...2) Place your order through your diocese and save up to 20%. When placing bulk orders for their parishes, dioceses get a discount. In the case of CBW III, the discount is 20%. We normally bill and ship the order to the diocese, which is then responsible for redistribution. However, for CBW III we have agreed to bill the diocese and ship to individual parishes, when requested.

Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. Contemporary literature of all kinds abounds, along with numerous collections of sheet music, some running to hundreds, occasionally even thousands, of separate pieces, many of which have since been forgotten. Apart from compositions in the latest Classical Viennese styles and their successors, much of the music performed constituted a revival or imitation of older musical genres, especially plainchant and Renaissance Polyphony. Furthermore, many pieces that had originally been intended to be performed by professional musicians for the benefit of privileged royal, aristocratic or high ecclesiastical elites were repackaged for rendition by amateurs before largely working or lower middle class congregations, many of them Irish. However, outside Catholic circles, little attention has been paid to this subject. Consequently, the achievements and widespread popularity of many composers (such as Joseph Egbert Turner, Henry George Nixon or John Richardson) within the English Catholic community have passed largely unnoticed. Worse still, much of the evidence is rapidly disappearing, partly because it no longer seems relevant to the needs of the modern Catholic Church in England. This book provides a framework of the main aspects of Catholic church music in this period, showing how and why it developed in the way it did. Dr Muir sets the music in its historical, liturgical and legal context, pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism. As a result the book will appeal not only to scholars and students working in the field, but also to church musicians, liturgists, historians, ecclesiastics and other interested Catholic and non-Catholic parties.

American Catholic hymnal