The Latinist A Novel

An NPR Best Book of 2022 One of The Millions' Most Anticipated Books of 2022 A CrimeReads Most Anticipated Crime Fiction of 2022 Selection "Ingenious.…a superb literary suspense novel that calls to mind an earlier such debut, Donna Tartt’s The Secret History." —Maureen Corrigan, Washington Post A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession. Tessa Templeton has thrived at Oxford University under the tutelage and praise of esteemed classics professor Christopher Eccles. And now, his support is the one thing she can rely on: her job search has yielded nothing, and her devotion to her work has just cost her her boyfriend, Ben. Yet shortly before her thesis defense, Tessa learns that Chris has sabotaged her career—and realizes their relationship is not at all what she believed. Driven by what he mistakes as love for Tessa, Chris has ensured that no other institution will offer her a position, keeping her at Oxford with him. His tactics grow more invasive as he determines to prove he has her best interests at heart. Meanwhile, Tessa scrambles to undo the damage—and in the process makes a startling discovery about an obscure second-century Latin poet that could launch her into academic stardom, finally freeing her from Chris’s influence. A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession.

A Best Book of 2020: Open Letters Review "Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review This “luminous” (TheObserver) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother It begins with our bodies . . . Safe together in the violet dark and yet already there are spaces beginning to open between us. From that first immaculate, fluid connection, through the ups and downs of a working-class childhood in northern England, the one constant in Lucy’s life has been her mother: comforting and mysterious, ferociously loving, tirelessly devoted, as much a part of Lucy as her own skin. Her mother's lessons in womanhood shape Lucy’s appreciation for desire, her sense of duty as a caretaker, her hunger for a better, perhaps reckless life. At university in glamorous London, Lucy’s background sets her apart. And then she is finished, graduated, adrift. She escapes to a tiny house in Donegal left empty by her grandfather, a place where her mother once found happiness. There she will take a lover, live inside art and the past, and track back through her memories and her mother’s stories to make sense of her place in the world. In “a stunning new voice in British literary fiction” (The Independent) that lays bare our raw, dark selves, Jessica Andrews’s debut honors the richness and imperfection of the bond between a daughter and her mother. Intricately woven in lyrical vignettes, Saltwater is a novel of becoming-- a woman, an artist-- and of finding a way forward by looking back.

“A delightful mix of grammar and growth, words and wonder.” – The Washington Post An entertaining exploration of the richness and relevance of the Latin language and literature, and an inspiring account of finding renewed purpose through learning something new and challenging After thirty-five years as a book editor in New York City, Ann Patty stopped working and moved to the country. Bored, aimless, and lost in the woods, she hoped to challenge her restless, word-loving brain by beginning a serious study of Latin at local colleges. As she begins to make sense of Latin grammar and syntax, her studies open unexpected windows into her own life. The louche poetry of Catullus calls up her early days in 1970s New York, Lucretius elucidates her intractable drivenness and her attraction to Buddhism, while Ovid’s verse conjures a delightful dimension to the flora and fauna that surround her. Women in Roman history, and an ancient tomb inscription give her new understanding and empathy for her tragic, long deceased mother. Finally, Virgil reconciles her to her new life—no longer an urban exile, but a rustic scholar, writer and teacher. Along the way, she meets an impassioned cast of characters: professors, students and classicists outside of academia who keep Latin very much alive. Written with humor, heart, and an infectious enthusiasm for words, Patty’s book is an object lesson in how learning and literature can transform the past and lead to an unexpected future.

The Silver Wolf, Alice Borchardt's acclaimed novel of a shapeshifter's struggle to survive as woman and wolf amid the Dark Ages, announced the arrival of a ferociously gifted writer. Now, with her masterful weaving of adventure, history, and magic, Borchardt delves deeper into the shape-shifter legend, and brings an earlier, more savage time brilliantly to life. The fearsome legions of Julius Caesar have crushed resistance to Roman rule. The power of the druids is broken; the shattered tribes retreating to the dubious safety of the high mountains or fleeing north into lands as inhospitable as those left behind. Watching all the while through yellow eyes afire with curiosity and intelligence is Maeniel, a gray wolf . . . who is also a man. This is not the Maeniel of The Silver Wolf. Not the mature shapeshifter, secure in his dual nature, whose hard-won wisdom is the equal of his preternatural strength and passion. That Maeniel will not exist for another eight hundred years. Now he is a stranger to his human half, his reason chained to instinct. Yet as the ancient civilization of the Gallic tribes is systematically destroyed around him, a new Maeniel is about to be born from the ruins. It begins with a woman. She is Imona: young, proud, beautiful. The sight of her fills Maeniel with unfamiliar feelings and desires, triggering his transformation from wolf to man. In her arms he learns for the first time what it means to love. It is a knowledge that will change him forever. For when Imona vanishes following a Roman massacre, Maeniel begins to learn a very different lesson. Following Imona's trail as wolf and man, Maeniel is himself pursued by a warrior woman sworn to kill him. She is Dryas, a queen without a kingdom. But the two adversaries will prove to have much in common. And the hunt upon which they embark will lead them farther than they can imagine: to the gates of Rome itself. To the gates of their very souls . . . With Night of the Wolf, Alice Borchardt has given us another triumph of soaring imagination and adventure. By turns lyrical, sensuous, and violent, hers is a vision of the past that will stir both heart and mind. Her writing will possess you like a fever . . . and haunt you like a voluptuous dream.

Io, ere / Special forms of the verbs: contendo, ere

Reading Medieval Latin is an introduction to medieval Latin in its cultural and historical context and is designed to serve the needs of students who have completed the learning of basic classical Latin morphology and syntax. (Users of Reading Latin will find that it follows on after the end of section 5 of that course.) It is an anthology, organised chronologically and thematically in four parts. Each part is divided into chapters with introductory material, texts, and commentaries which give help with syntax, sentence-structure, and background. There are brief sections on medieval orthography and grammar, together with a vocabulary which includes words (or meanings) not found in standard classical dictionaries. The texts chosen cover areas of interest to students of medieval history, philosophy, theology, and literature.

“A haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love.” —Tommy Orange, author of There There A RECOMMENDED BOOK FROM USA Today * O, the Oprah Magazine * Entertainment Weekly * TIME * Harper's Bazaar * Buzzfeed * Washington Post * Elle * Parade * San Francisco Chronicle * Good Housekeeping * Vulture * Refinery29 * AARP * Kirkus * PopSugar * Alma * Woman's Day * Chicago Review of Books * The Millions * Biblio Lifestyle * Library Journal * Publishers Weekly * LitHub Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon Hobson In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo. Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level. “The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.” —Jonathan Lethem, author of The Feral Detective

Historical thriller set in Ancient Rome. Lucius, the attractive fiance of a high-society girl is poisoned at the pre-wedding banquet. In the trial that follows, Roman society is shocked when the girl's mother, Helvia, is accused of incest as well as murder. Cicero comes to Helvia's defence, but the killer's identity remains a mystery ...