The Legend Of Sleepy Hollow Vol 2

Bright Reads Books from My Ink Shines (Rick Sellano, LLC.) brings Washington Irving's "Legend of Sleepy Hollow." At a gigantic, 72-point font, we expect that reading will be easier for all. And reading for grandchildren may once again be a routine joy. Original authors and illustrators are always credited. Available on Amazon.com. The story is not complete without reading the two volumes.

If you were asked to choose the most fabulous character in English literature, who would it be? Perhaps the one and only Ichabod Crane. Just in time for the 70th anniversary of the release of The Adventures of Ichabod and Mr. Toad, relive the action of The Legend of Sleepy Hollow with this storybook and CD set, featuring word-for-word narration and sound effects!

Among the first tales by an American writer, the title story and "Rip Van Winkle" marked the entry of Washington Irving into world literature. Also includes "The Devil and Tom Walker," "The Spectre Bridegroom," and more, 15 short stories in all.

Bright Reads Books from My Ink Shines (Rick Sellano, LLC.) brings Washington Irving's "Legend of Sleepy Hollow." At a gigantic, 72-point font, we expect that reading will be easier for all. And reading for grandchildren may once again be a routine joy. Original authors and illustrators are always credited. Find out more on Facebook.

The Schoolteacher, a Headless Horseman, and the Hand of a Lady... ""The Legend of Sleepy Hollow"" is a short story of speculative fiction by American author Washington Irving, contained in his collection of 34 essays and short stories entitled The Sketch Book of Geoffrey Crayon, Gent.Written while Irving was living abroad in Birmingham, England, ""The Legend of Sleepy Hollow"" was first published in 1820. Along with Irving's companion piece ""Rip Van Winkle"", ""The Legend of Sleepy Hollow"" is among the earliest examples of American fiction with enduring popularity, especially during the Halloween season. The story is set in 1790 in the countryside around the Dutch settlement of Tarry Town (historical Tarrytown, New York), in a secluded glen called Sleepy Hollow. Sleepy Hollow is renowned for its ghosts and the haunting atmosphere that pervades the imaginations of its inhabitants and visitors. Get Your Copy Now.

Sage, storyteller, and wit, Washington Irving created such staples of American fiction as the stories “Rip Van Winkle” and “The Legend of Sleepy Hollow.” He earned his preeminence in early American literature with the masterpieces in miniature collected here: dozens of stories, travel essays, biographical discourses, and literary musings. “His influence on American writers is unquestioned,” wrote Edgar Allan Poe, and his stories have proved as enduring as the Catskill Mountains the author immortalized. “Exceptional talent….I am one of his most ardent admirers. I admired Mr. Irving’s work so much, in fact, that I gave it the ultimate praise; I ‘borrowed it.’”—Edgar Allan Poe With an Introduction by Wayne Franklin

Two volumes of the strange and ghostly by one of the earliest great American authors Those who know anything of American literature know that Washington Irving was one of its earliest and most influential giants. Born less than a decade after the birth of the nation, it is clear through many of his writings that he embodied the very spirit of his nationality, age and place. He was a prolific author, a craftsman of fiction and non-fiction alike and his works of history are enduring classics. Whilst Irving is a true American writer his subject matter is by no means provincial. He travelled widely and his works inspired by his time in Spain have left for posterity a fine legacy-most especially in the collection that is 'Tales from the Alhambra.' Irving actually lived within the walls of the spectacular Moorish fortress of Granada and the experience inspired wonderful fiction and travelogue of the highest order. Irving was firmly established as an author of influence by the first quarter of the nineteenth century and he encouraged other American writers of his time, such as Hawthorne, Longfellow, Poe and Melville, towards their own success. Regardless of his huge written canon, Irving was fated, in keeping with many authors, to be best remembered for some of his shortest work, for it is in the typically early American tales-'The Legend of Sleepy Hollow' and 'Rip van Winkle'-that his fame principally abides. Also, in keeping with many authors who wrote over a range of subjects, Irving had a taste for the bizarre and supernatural, as evidenced of course by his terrifying headless Hessian horseman! This two volume Leonaur collection of Irving's forays into the bizarre and other-worldly provides the reader with a cornucopia of strange stories set in a variety of times and settings, all guaranteed to provoke a chill or smile and sometimes both at once. The books are available in soft cover or hard back with dust jacket for collectors. In volume two readers will discover no less than thirty five shorter works representing Irving's fascination with 'the other side of the veil.' Among them is, of course, the novelette 'The Legend of Sleepy Hollow' and two companion novelettes 'Dolph Heylinger' and 'The Adventure of the Back Fisherman.' Also included are thirty two short stories including 'Rip Van Winkle, ' 'The Spectre Bridegroom, ' 'The Haunted House, ' 'The Phantom Island, ' 'Hell Gate' and many others.

This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.