The Libyan Short Story

First Published in 2000. This is a collection of twelve short stories from Libya that Fagih edited during the seventies and eighties, initially published in a London magazine called Azure. Penned by prominent Libyan writers, these stories shed light on the human experience of people in the eastern world.

Ahmed Fagih, PhD. is a writer of international standing. His writings include the award winning trilogy Gardens of the night and a large body of novels, plays, short story collections, and essays. His dramas were performed in so many countries and his books widely read and translated. He found and chaired many institutions in his county and abroad among the posts he occupied the chairman of Arab Cultural Trust. The general secretary of union of writers and artists, the director of the national institute of drama and music. He directed and performed many plays for the theatre group he founded in Tripoli The New Theatre. He served as the head of his countries diplomatic missions in Athens and Bucharest. He is the chairman of the Mizda heritage society and was awarded the highest medal in his country The grand al-fatah medal.

Part anthology and part travelogue, Translating Libya presents the country through the eyes of sixteen Libyan short story writers and one American diplomat. Intrigued by the apparent absence of 'place' in modern Libyan short fiction, Ethan Chorin resolved to track down and translate stories that specifically mention cities and landmarks in Libya. The stories trace the influence of the ancient Romans, the later Italian occupation and the current influx of foreign workers from Africa and further afield. The authors open a window on today's Libya - a rapidly urbanizing country with rich oil reserves, recently renewed diplomatic relations with the West and a nascent tourist industry based on its well-preserved ancient cities. This is a unique introduction to a country that has for some time been 'off the beaten path'. Ethan Chorin served from 2004-6 as the first US Commercial/Economic Attache stationed in Libya since 1980.

Set in late nineteenth-century Benghazi, Najwa Bin Shatwan’s powerful novel tells the story of Atiqa, the daughter of a slave woman and her white master. We meet Atiqa as a grown woman, happily married with two children and working. When her cousin Ali unexpectedly enters her life, Atiqa learns the true identity of her parents, both long deceased, and slowly builds a friendship with Ali as they share stories of their past. We learn of Atiqa’s childhood, growing up in the “slave yards,” a makeshift encampment on the outskirts of Benghazi for Black Africans who were brought to Libya as slaves. Ali narrates the tragic life of Atiqa’s mother, Tawida, a black woman enslaved to a wealthy merchant family who finds herself the object of her master’s desires. Though such unions were common in slave-holding societies, their relationship intensifies as both come to care deeply for each other and share a bond that endures throughout their lives. Shortlisted for the 2017 International Prize for Arabic Ficiton, Bin Shatwan’s unforgettable novel offers a window into a dark chapter of Libyan history and illuminates the lives of women with great pathos and humanity.

Analysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era. Exploring latent political protest and environmental lament in the writing of novelists in exile and in the Jamahiriyya, Charis Olszok focuses on the prominence of encounters between humans, animals and the land, the poetics of vulnerability that emerge from them, and the vision of humans as creatures (makhluqat) in which they are framed.

Analysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era. Exploring latent political protest and environmental lament in the writing of novelists in exile and in the Jamahiriyya, Charis Olszok focuses on the prominence of encounters between humans, animals and the land, the poetics of vulnerability that emerge from them, and the vision of humans as creatures (makhluqat) in which they are framed.

The stories collected here are by leading authors of the short story form in the Middle East today. In addition to works by writers already wellknown in the West, such as Idwar al-Kharrat, Fu'ad al-Takarli and Nobel Prize winner Najib Mahfuz, the collection includes stories by key authors whose fame has hitherto been restricted to the Middle East. This bilingual reader is ideal for students of Arabic as well as lovers of literature who wish to broaden their appreciation of the work of Middle Eastern writers. The collection features stories in the original Arabic, accompanied by an English translation and a brief author biography, as well as a discussion of context and background. Each story is followed by a glossary and discussion of problematic language points. 'Recommended' CHOICE