The Lie At The Heart Of Waterloo

Waterloo has, perhaps, a greater claim to have left its mark on Europe than any single battle before it, yet, even after two hundred years, there is confusion about how the battle ended. Readers will believe they know perfectly well how Wellington gave the order to the men of the First Foot Guards and they finished the business; but they will find themselves mistaken and intrigued. The Lie at the Heart of Waterloo is not the customary eulogy but a critical analysis of the carefully engineered misinformation that has often totally misled historians and students of military history for so long. The author uses quotations from eyewitnesses – not only those published shortly after the battle but also the most modern academic work – to tell the true story. The truth is as complicated and dramatic as anyone could desire. There is also an answer to the inevitable question: why has this knowledge been hidden for so long? The process of unravelling the mystery brings to life the horrifying reality of battle for the soldiers in Napoleonic warfare. There is also a whiff of suicide and blackmail, and senior officers' reputations are not sacrosanct. This history shines a light on the confusion and challenges long-standing assumptions. It is supported by a sequence of specially produced full-colour maps.

One of the enduring controversies of the Waterloo campaign is the conduct of Marshal Grouchy. Given command of a third of Napoleons army and told to keep the Prussians from joining forces with Wellington, he failed to keep Wellington and Blcher apart with the result that Napoleon was overwhelmed at Waterloo. Grouchy, though, was not defeated. He kept his force together and retreated in good order back to France.Many have accused Grouchy of intentionally holding back his men and not marching to join Napoleon when the sound of the gunfire at Waterloo could clearly be heard, and he has been widely blamed for Napoleons defeat.Now, for the first time, Grouchys conduct during the Waterloo campaign is analyzed in fine detail, drawing principally on French sources not previously available in English. The author, for example, answers questions such as whether key orders did actually exist in 1815 or were they later fabrications to make Grouchy the scapegoat for Napoleons failures? Did General Grard really tell Grouchy to march to the sound of the guns? Why did Grouchy appear to move so slowly when speed was essential?This is a subject which is generally overlooked by British historians, who tend to concentrate on the actions of Wellington and Napoleon, and which French historians choose not to look at too closely for fear that it might reflect badly upon their hero Napoleon.Despite the mass of books written on Waterloo, this is a genuinely unique contribution to this most famous campaign. This book is certain to fuel debate and prompt historians to reconsider the events of June 1815.

The first study to explore all Britain’s key land and sea campaigns from 179–1815 and the two military geniuses who vanquished France. The art of power consists of getting what one wants. That is never more challenging than when a nation is at war. Britain fought a nearly nonstop war against first revolutionary then Napoleonic France from 1793 to 1815. During those twenty-two years, the government formed, financed, and led seven coalitions against France. The French inflicted humiliating defeats on the first five. Eventually Britain and its allies prevailed, not once but twice, by vanquishing Napoleon temporarily in 1814 and definitively in 1815. French revolutionaries had created a new form of warfare, which Napoleon perfected. Never before had a government mobilized so much of a realm’s manpower, industry, finance, and patriotism, nor, under Napoleon, wielded it more effectively and ruthlessly to pulverize and conquer one’s enemies. Britain struggled up a blood-soaked learning curve to master this new form of warfare. With time the British made the most of their natural strategic and economic advantages. Britons were relatively secure and prosperous in their island realm. British merchants, manufacturers, and financiers dominated global markets. The Royal Navy not only ruled the waves that lapped against the nation’s shores but those plowed by international commerce around the world. Yet even with those assets victory was not inevitable. Two military geniuses are the most vital reasons why Britain and its allies vanquished France when and how they did. General Arthur Wellesley, the Duke of Wellington and Admiral Horatio Nelson respectively mastered warfare on land and at sea. Of the hundreds of books on the era, none before has explored all of Britain’s land and sea campaigns from the first in 1793 to the last in 1815. This vividly written, meticulously researched book lets readers experience each level of war from the debates over grand strategy in London to the horrors of combat engulfing soldiers and sailors in distant lands and seas. Haunting voices of participants echo from two centuries ago, culled from speeches, diaries, and letters. Britain's Rise to Global Superpower in the Age of Napoleon reveals how decisively or disastrously the British army and navy wielded the art of military power during the Age of Revolution and Napoleon.

This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

From the New York Times bestselling author of the “twisty-mystery” (Vulture) novel In a Dark, Dark Wood, The Woman in Cabin 10, and The Turn of the Key comes Ruth Ware’s The Lying Game. Isa Wilde knows something terrible has happened when she receives a text from an old friend. Why would Kate summon her and their two friends to the seaside town where they briefly attended the Salten House boarding school together seventeen years ago? The four friends had quickly bonded over the Lying Game—a risky contest that involved tricking fellow boarders and faculty with their lies. Now reunited, Isa, Kate, Thea, and Fatima discover that their past lies had far-reaching effects and criminal implications that threaten them all. In order to protect their reputations, and their friendship, they must uncover the truth about what really happened all those years ago. Atmospheric and twisty, with just the right amount of chill, The Lying Game will have readers at the edge of their seats, not knowing who can be trusted in this tangled web of lies.

Guard Your Heart is the Carnegie shortlisted debut novel from Sue Divin. Boy meets girl on the Northern Irish border. Derry. Summer 2016. Aidan and Iona, now eighteen, were both born on the day of the Northern Ireland peace deal. Aidan is Catholic, Irish, and Republican. With his ex-political prisoner father gone and his mother dead, Aidan’s hope is pinned on exam results earning him a one-way ticket out of Derry. To anywhere. Iona, Protestant and British, has a brother and father in the police. She’s got university ambitions, a strong faith and a fervent belief that boys without one track minds are a myth. At a post-exam party, Aidan wanders alone across the Peace Bridge and becomes the victim of a brutal sectarian attack. Iona witnessed the attack; picked up Aidan’s phone and filmed what happened, and gets in touch with him to return the phone. When the two meet, alone and on neutral territory, the differences between them seem insurmountable. Both their fathers held guns, but safer to keep that secret for now. Despite their differences and the secrets they have to keep from each other, there is mutual intrigue, and their friendship grows. And so what? It’s not the Troubles. But for both Iona and Aidan it seems like everything is keeping them apart , when all they want is to be together . . .

A feisty counterfeiter and a cocky British agent clash in this sultry Secrets and Spies novel by K. C. Bateman, whose witty, intelligent, and sexy historical romances have become her signature. As Sabine de la Tour tosses piles of forged banknotes onto a bonfire in a Paris park, she bids a reluctant farewell to her double life as a notorious criminal. Over the course of Napoleon’s reign, her counterfeits destabilized the continent and turned scoundrels into rich men, but now she and her business partner must escape France—or face the guillotine. Her only hope of surviving in England is to strike a deal with the very spy she’s spent her career outrunning. Now after meeting the arrogant operative in the flesh, Sabine longs to throw herself upon his mercy—and into his arms. Richard Hampden, Viscount Lovell, is prepared to take any risk to safeguard England from the horrors of the French Revolution. To lure the insurgents out from the shadows, he’s even willing to make a pact with his archenemy: Philippe Lacorte, the greatest counterfeiter in Europe. But when a cheeky, gamine-faced beauty proves herself to be Lacorte, Richard is shocked—and more than a little aroused. Unlike the debutantes who so often hurl themselves at him, this cunning minx offers a unique and irresistible challenge. Richard will help her. But in return, he wants something that even Sabine cannot fake. Look for all of K. C. Bateman’s delightful Secrets and Spies novels: TO STEAL A HEART | A RAVEN’S HEART | A COUNTERFEIT HEART “Scintillating! Clever characters and sizzling romance!” - Publishers Weekly, STARRED REVIEW on This Earl Of Mine. “Rich with espionage and suspense . . . Multidimensional believable characters and fast-paced plotting propel the story forward to its moving conclusion.”—Publishers Weekly, on To Steal a Heart “I couldn’t ask for much more in an historical romance and I’m eagerly awaiting whatever Ms. Bateman comes up with next.”—All About Romance, on To Steal a Heart Perfect for readers who love Loretta Chase, Julia Quinn, Caroline Linden, Janna MacGregor, Scarlett Peckham, Laura Kinsale, Kerrigan Byrne, Lisa Kleypas, Courtney Milan, Tessa Dare, Eloisa James, Grace Burrowes, Madeline Hunter, Lenora Bell, Sophie Jordan, Lorraine Heath, Eva Leigh, Mary Jo Putney, Jo Beverley, Joanna Shupe, Sarah MacLean, Shana Galen, Stephanie Laurens and Sabrina Jeffries. Keywords: Historical romance, Regency romance, Victorian romance, action-adventure, sexy, bodyguard, best friend’s sister, enemies to lovers, friends to lovers, second chance romance, Napoleonic romance, fake relationship, marriage of convenience, Sexy, spies, Bow Street, spicy, funny, charming, Bestseller, Kindle, Nook, Ebook.