The Life And Times Of Leonard Bernstein

Explores the life and career of the man best known for his score to West side story.

When Leonard Bernstein died in 1990 at the age of 72, one of his admirers said he was actually 288 because he led four separate lives: as a conductor, a composer, a pianist, and a teacher. No other American musician has ever had such a diverse career. A sickly boy, Bernstein discovered music when he was about 10 and pursued a musical career despite his father s objections. He became literally an overnight sensation when he was 25. With only a few hours notice, he conducted a concert that was broadcast across the entire country. He spent the rest of his life (nearly 50 years) in the spotlight, continually impressing people with his seemingly boundless energy and his love for music. Those qualities have influenced countless numbers of people, adding to their own appreciation of music.

This biography covers Leonard Berstein's life from his childhood growing up in a Hassidic family in Massachusetts through to the start to his career and his success in both classical music and musical theatre. Bernstein the family man is also featured - the father to his three children and husband to Felicia Montealegre, and the generous mentor, the temperamental artist, the hypochondriac, the politician and the businessman.

From his dazzling conducting debut in 1943 until his death in 1990, Leonard Bernstein's star blazed brilliantly. In this fresh and revealing biography of Bernstein's political life, Barry Seldes examines Bernstein's career against the backdrop of cold war America—blacklisting by the State Department in 1950, voluntary exile from the New York Philharmonic in 1951 for fear that he might be blacklisted, signing a humiliating affidavit to regain his passport—and the factors that by the mid-1950s allowed his triumphant return to the New York Philharmonic. Seldes for the first time links Bernstein's great concert-hall and musical-theatrical achievements and his real and perceived artistic setbacks to his involvement with progressive political causes. Making extensive use of previously untapped FBI files as well as overlooked materials in the Library of Congress's Bernstein archive, Seldes illuminates the ways in which Bernstein's career intersected with the twentieth century's most momentous events. This broadly accessible and impressively documented account of the celebrity-maestro's life deepens our understanding of an entire era as it reveals important and often ignored intersections of American culture and political power.

The most insightful and engrossing work we have had from the widely admired biographer of Frank Lloyd Wright ("Captivating ... The reader comes away with an understanding of Wright as a man as well as an architect" -- Washington Post Book World ... "Spellbinding" -- Boston Globe), of Bernard Berenson ("Authoritative and fascinating" -- Philip Toynbee, The Observer ... "A memorable opus" -- Sir Harold Acton), and of Kenneth Clark ("Splendid, enthralling" -- Wall Street Journal). Here is Leonard Bernstein, full scale and fully alive -- the child prodigy, the man, the composer, the teacher, the hugely charismatic personality, the lover, the American folk hero. Everything is here: the child growing up in a Hasidic family in Massachusetts, his father a rabbi's son; his first piano at age nine ("I remember touching it ... It was my contact with life, with God"); his reluctant, brilliant, argumentative years at Harvard; the rocky but exhilarating start of his career (scant jobs, no money, but friendships with Aaron Copland, Virgil Thomson, Judy Holliday, Comden and Green, et al.); his spectacular debut (understudy into a star!) as substitute conductor at the New York Philharmonic; the great career over the years as a composer in classical music (the Kaddish Symphony, Chichester Psalms, Songfest), and in musical theater (On the Town, Wonderful Town, Candide, West Side Story, Mass, 1600 Pennsylvania Avenue). We see Bernstein: the good father to his three children, the man who adored his wife, Felicia Montealegre, the man who adored men, the brilliant and generous mentor, the temperamental artist, the hypochondriac, the politician, the businessman, the Pied Piper ... His life, hismusic, the great international cultural world in which he traveled, are richly and vividly portrayed in this magnificent biography, alive with music -- and with life. "From the Hardcover edition.

The oldest daughter of revered composer Leonard Bernstein offers a rare look at her father on the centenary of his birth—illuminating a man, a city, and an era that defined modern culture—in a deeply intimate and broadly evocative memoir reminiscent of Alexandra Styron’s Reading My Father and Richard Ford’s Between Them. The composer of On the Town and West Side Story, chief conductor of the New York Philharmonic, television star, humanitarian, friend of the powerful and influential, and inveterate partygoer Leonard Bernstein was a massive celebrity during one of the headiest periods of American cultural life, and perhaps the most talented musician in American history. To his eldest daughter, Jamie, he was all that and more; he was the man in the scratchy brown bathrobe that smelled of cigarettes, who sat late at night at the piano when he couldn’t sleep (he could never sleep). An incredible jokester, an incessant teacher, he taught her to love the world in all its beauty and complexity. In public and private, Lenny was larger than life. In Famous Father Girl, Bernstein mines the emotional depths of her childhood and invites us into her family’s private world. A fantastic set of characters populate the Bernsteins’ lives, including: the Kennedys, Mike Nichols, John Lennon, Richard Avedon, Stephen Sondheim, Jerome Robbins, and Betty (Lauren) Bacall. An intoxicating tale, Famous Father Girl is an intimate meditation on a deeply complex and sometimes troubled man and the beautiful music that was the soundtrack to his life. Deeply moving and often hilarious, Bernstein’s beautifully written memoir is great American story about one of the greatest Americans of the modern age.

Beginning with an introductory essay on his achievements, it continues with annotations on Bernstein's voluminous writings, performances, educational work, and major secondary sources.

Celebrating Leonard Bernstein's centenary with an intimate and detailed look at the public and private life of the Maestro written by his former assistant. Foreword by Broadway legend Harold Prince. "An affectionate portrait of an eminent musician who was driven by demons." —Kirkus Reviews "Harmon’s personable and warm account of what it was like to work for one of the twentieth century’s musical giants casts new light on Bernstein and his world." —Booklist "This multifaceted perspective gives readers plenty of salacious gossip paired with insight into Leonard Bernstein’s remarkable artistic achievements later in life." —Library Journal On the Road is a colorfully written, unforgettably entertaining and unputdownable book, and is available just in time for LB’s 100th birthday. Unreservedly recommended. —Fanfare Magazine Leonard Bernstein reeked of cheap cologne and obviously hadn't showered, shaved, or slept in a while. Was he drunk to boot? He greeted his new assistant with "What are you drinking?" Yes, he was drunk. Charlie Harmon was hired to manage the day-to-day parts of Bernstein's life. There was one additional responsibility: make sure Bernstein met the deadline for an opera commission. But things kept getting in the way: the centenary of Igor Stravinsky, intestinal parasites picked up in Mexico, teaching all summer in Los Angeles, a baker's dozen of young men, plus depression, exhaustion, insomnia, and cut-throat games of anagrams. Did the opera get written? For four years, Charlie saw Bernstein every day, as his social director, gatekeeper, valet, music copyist, and itinerant orchestra librarian. He packed (and unpacked) Bernstein's umpteen pieces of luggage, got the Maestro to his concerts, kept him occupied changing planes in Zurich, Anchorage, Tokyo, or Madrid, and learned how to make small talk with mayors, ambassadors, a chancellor, a queen, and a Hollywood legend or two. How could anyone absorb all those people and places? Because there was music: late-night piano duets, or the Maestro's command to accompany an audition, or, by the way, the greatest orchestras in the world. Charlie did it, and this is what it was like, told for the first time.