The Life And Works Of Edgar Allen Poe

The Tell-Tale Heart strips away myths that have grown up around the life of Edgar Allen Poe, providing a fresh assessment of the man and his work. Symons reveals Poe as his contemporaries saw him – a man struggling to make a living and whose life was beset by tragedy, such that he was driven to excessive drinking and unhealthy relationships.

Renowned as the creator of the detective story and a master of horror, the author of "The Red Mask of Death," "The Black Cat," and "The Murders of the Rue Morgue," Edgar Allan Poe seems to have derived his success from suffering and to have suffered from his success. "The Raven" and "The Tell-Tale Heart" have been read as signs of his personal obsessions, and "The Fall of the House of Usher" and "The Descent into the Maelstrom" as symptoms of his own mental collapse. Biographers have seldom resisted the opportunities to confuse the pathologies in the stories with the events in Poe's life. Against this tide of fancy, guesses, and amateur psychologizing, Arthur Hobson Quinn's biography devotes itself meticulously to facts. Based on exhaustive research in the Poe family archive, Quinn extracts the life from the legend, and describes how they both were distorted by prior biographies. "

These stories and poems come from the mind of one of the earliest masters of macabre literature. From the mysterious to the macabre, the works of Edgar Allan Poe have the power to evoke readers’ deepest emotions. Poe’s stories and poems explore the darker side of life and still offer lessons and insight into human behavior today. This Word Cloud edition presents many of Poe’s best-known works, including “The Raven,” “The Murders in the Rue Morgue,” “The Tell-Tale Heart,” and “The Fall of the House of Usher,” along with dozens of other short stories and poems.

This biography of Edgar Allan Poe, a giant of American Literature who invented both the horror and detective genre, is a portrait of extremes: a disinherited heir, a brilliant but underpaid author, a temperate man and uncontrollable addict.

The classic poems and spine-tingling stories of a Gothic American master collected in one volume Of all the American masters, Edgar Allan Poe staked out perhaps the most unique and vivid reputation, as a master of the macabre. Even today, in the age of horror movies and high-tech haunted houses, Poe is the first choice of entertainment for many who want a spine-chilling thrill. Born in Boston in 1809, and dead at the age of 40, Poe wrote across several fields during his life, noted for his poetry and short stories as well as his criticism. The best of each of these is collected here, including the classic poem “The Raven,” and timeless stories like “The Tell-Tale Heart.” In his introduction to this volume, G. R. Thompson argues that Poe was a great satirist and comedic craftsman, as well as a formidable Gothic writer. “All of Poe’s fiction,” Thompson writes, “and the poems as well, can be seen as one coherent piece—as the work of one of the greatest ironists of world literature.” The Great Short Works of Edgar Allen Poe includes these classics: The Raven Annabel Lee The Murders in the Rue Morgue The Masque of the Red Death The Pit and the Pendulum The Tell-Tale Heart The Purloined Letter The Imp of the Perverse

A new selection for the NEA’s Big Read program A compact selection of Poe’s greatest stories and poems, chosen by the National Endowment for the Arts for their Big Read program. This selection of eleven stories and seven poems contains such famously chilling masterpieces of the storyteller’s art as “The Tell-tale Heart,” “The Fall of the House of Usher,” “The Cask of Amontillado,” and “The Pit and the Pendulum,” and such unforgettable poems as “The Raven,” “The Bells,” and “Annabel Lee.” Poe is widely credited with pioneering the detective story, represented here by “The Purloined Letter,” “The Mystery of Marie Roget,” and “The Murders in the Rue Morgue.” Also included is his essay “The Philosophy of Composition,” in which he lays out his theory of how good writers write, describing how he constructed “The Raven” as an example.