The Light In The Piazza

Elizabeth Spencer is captivated by Italy. For her it has been a second home. A one-time resident who returns there, this native-born Mississippian has found Italy to be an enchanting land whose culture lends itself powerfully to her artistic vision. Some of her most acclaimed work is set there. Her American characters encounter but never quite wholly adjust to the mysteries of the Italian mores. Collected here in one volume are Spencer's six Italian tales. Their plots are so alluring and enigmatic that Boccaccio would have been charmed by their delightful ironies and their sinister contrasts of dark and light. Spencer is grounded in two bases—Italy and the American South. Her characters too, mostly southerners, rove in search of connection and fulfillment. In The Light in the Piazza (a novella which has become both Spencer's signature piece and a Hollywood film) a stranger from North Carolina, traveling with her beautiful daughter, encounters the intoxicating beauty of sunlit Florence and discovers a deep conflict in the moral dilemma it presents. “I think this work has great charm,” Spencer has said, “and it probably is the real thing, a work written under great compulsion, while I was under the spell of Italy. But it took me, all told, about a month to write.” In Knights and Dragons (another novella and a companion piece to The Light in the Piazza) an American woman in Rome and Venice struggles for release from her husband's sinister control over her. Spencer sets this tale in the cold and wintry dark and here portrays the other face of Italy. In “The Cousins,” “The Pincian Gate,” “The White Azalea,” and “The Visit,” Spencer shows the exceptional artistry that has merited acclaim for her as one of America's first-class writers of the short story. The Light in the Piazza may long be the work for which she is most recognized. In 2005, the Lincoln Center’s Vivian Beaumont Theater in New York City staged a musical adaptation of this novella. The production brought together the talents of Adam Guettel (music and lyrics) and Craig Lucas (book), while director Bartlett Sher made his Lincoln Center debut. That year the musical won six of the eleven Tony awards it was nominated for. It was thereafter produced on stages across the globe and eventually returned to Lincoln Center in 2016 for a reunion of its original cast as a benefit concert.

"With fairest flowers, Whilst summer lasts, and I live here, Fidele-" When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza-a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sun-burnt painters painting there. A very paradise of painters. The circle of the stars cut by the circle of the mountains. At least, so looks it from the house; though, once upon the mountains, no circle of them can you see. Had the site been chosen five rods off, this charmed ring would not have been. The house is old. Seventy years since, from the heart of the Hearth Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each Thanksgiving, the social pilgrims used to come. So long ago, that, in digging for the foundation, the workmen used both spade and axe, fighting the Troglodytes of those subterranean parts-sturdy roots of a sturdy wood, encamped upon what is now a long land-slide of sleeping meadow, sloping away off from my poppy-bed. Of that knit wood, but one survivor stands-an elm, lonely through steadfastness.

"Based on Elizabeth Spencer's 1960 novella, The Light in the Piazza is the story of a young American woman, whose chance encounter with a charming young Italian man in an Florentine piazza sets off a whirlwind romance, with an unsettling revelation."--BOOK JACKET.

Leona Samish, a single American woman of a "certain age" takes a long-planned European vacation from her job as a secretary and finds herself in a pensione in Venice, Italy. At a street market, she meets the handsome proprietor Renato DiRossi, entering into a casual flirtation which turns into an affair. Her complacency is jolted when she discovers he is married, has several children and is quite happy with the arrangement as is. Long-dormant frustrations and anger come to the surface as Leona faces the harsh reality of this new found infatuation and her own romantic notions of love. Shirley Booth and later Katharine Hepburn ("Summertime") played the leading role.

(Vocal Collection). Songs particularly suitable for and appealing to young voices selected from 5 volumes of The Singer's Musical Theatre Anthology, plus additional songs for teens from stage, film and television musicals.

It all starts with the release of fidgety, suspicious Percy Talbott from state prison after serving a five-year sentence. We don't know why, only that she's released and on her way to Gilead and its "colors of paradise." But when she arrives it is February and bitter cold, and the only one around to meet her is restless Sheriff Joe Turner, who takes her to the Spitfire Grill to help the aging Hannah Ferguson run the diner. All is gray, dismal and listless around them, and the characters are in the "winter of their lives" emotionally and spiritually.

Lakeman (architecture, California Polytechnic State U.) discusses design elements and the element of light in the medieval architecture of Italy and examines the relationship between space and light and the way we experience them, focusing on Siena's Piazza del Campo. Includes some 90 color photos a