The Light Of Thy Countenance Science And Knowledge Of God In The Thirteenth Century 1 A Doctrine Of Divine Illumination

This book traces the rise of a formal model of science in thirteenth-century Europe and resultant changes in assumptions about Knowledge of God in the world, investigating scholastic antecedents to modern science and reconceptualizing medieval schools of thought. The print edition is available as a set of two volumes (9789004119475).

This book traces the rise of a formal model of science in thirteenth-century Europe and resultant changes in assumptions about Knowledge of God in the world, investigating scholastic antecedents to modern science and reconceptualizing medieval schools of thought. The print edition is available as a set of two volumes (9789004119475).

The title of this Festschrift to Stephen Brown points to the understanding of medieval philosophy and theology in the longue durée of their traditions and discourses. The 35 contributions are disposed in five parts: Metaphysics and Natural Philosophy, Epistemology and Ethics, Philosophy and Theology, Theological Questions, Text and Context.

In Christ the Light, Whidden argues that illumination is a critical systematic motif in Aquinas’ theology, one that involves the nature of truth, knowledge, and God; at the root, Aquinas’ theology of light, or illumination, is Christological, grounding human knowledge of God and eschatological beatitude. This volume establishes the theological network formed by the crucial motif of light/illumination in Aquinas, from how theology operates to the systematic, sacramental, and moral coordinates in Aquinas’ theology.

Over the past several centuries, John Owen's writings on scripture have captured the attention of numerous interpreters across a relatively diverse range of disciplines. His own distinctive contribution to this doctrine was forged with a genuine fear for the on-going pre-eminence of scriptural authority in the English church firmly in view. In the face of various rival perspectives, Owen insists every Christian believer ought to be clear on the reason they believe scripture to be the word of God. Focussing on the treatise Reason of Faith (1677) in conversation with his wider theological corpus, Andrew M. Leslie studies Owen's approach to scriptural authority and Christian faith. He argues that Owen creatively drew upon an ecumenical dogmatic and metaphysical heritage to restate and refine the traditional Reformed position on scripture's divine authority, sensitive to developments in his own late seventeenth-century context. In particular, Leslie explores how Owen shares a growing concern to ground Christian faith in objective evidence, all-the-while ensuring that its ultimate foundation lies in the irresistible authority and truthfulness of God, mediated "in and by" the inspired text of scripture. Leslie also draws out the broader significance Owen ascribes to scripture in shaping a believer's relationship with the Triune God, especially its vital role in their gradual transformation into the likeness or image of Christ.

Peter Adamson presents a lively introduction to six hundred years of European philosophy, from the beginning of the ninth century to the end of the fourteenth century. The medieval period is one of the richest in the history of philosophy, yet one of the least widely known. Adamson introduces us to some of the greatest thinkers of the Western intellectual tradition, including Peter Abelard, Anselm of Canterbury, Thomas Aquinas, John Duns Scotus, William of Ockham, and Roger Bacon. And the medieval period was notable for the emergence of great women thinkers, including Hildegard of Bingen, Marguerite Porete, and Julian of Norwich. Original ideas and arguments were developed in every branch of philosophy during this period - not just philosophy of religion and theology, but metaphysics, philosophy of logic and language, moral and political theory, psychology, and the foundations of mathematics and natural science.

The authors of the standard approach to Bonaventure’s aesthetics established the broad themes that continue to inform the current interpretation of his philosophy, theology, and mysticism of beauty: his definition of beauty and its status as a transcendental of being, his description of the aesthetic experience, and the role of that experience in the soul’s ascent into God. Nevertheless, they also introduced a series of pointed questions that the current literature has not adequately resolved. In Bonaventure’s Aesthetics: The Delight of the Soul in Its Ascent into God, Thomas J. McKenna provides a comprehensive analysis of Bonaventure’s aesthetics, the first to appear since Balthasar’s Herrlichkeit, and argues for a resolution to these questions in the context of his principal aesthetic text, the Itinerarium mentis in Deum.