The Little Black Dress

Shortlisted for the Thurber Prize for American Humor 22 weeks on the New York Times bestseller list 'Wonderfully intelligent and frank... I loved this book, and Rhoda Janzen. She is a terrific, pithy, beautiful writer, a reliable, sympathetic narrator and a fantastically good sport.' New York Times Rhoda Janzen had reached a crossroads: she had just hit forty when her brilliant husband of fifteen years left her for a guy he met on Gay.com. In the same calamitous week she was hospitalized in a horrible car accident. With no alternatives, Rhoda decided to pack her bags and head home. into the heart of the Christian sect she had spent years longing to escape. Rhoda Janzen might be a bad Mennonite, but nonetheless, her parents and their community welcome her back with open arms, strange food and offbeat advice. ('Why not date your first cousin? He has his own tractor!') It was in this safe place that Rhoda came to terms with her failed marriage; the desire, as a young woman, to leave her sheltered world behind; and the choices that had both freed and entrapped her. 'This book is not just beautiful and intelligent, but also painfully - even wincingly - funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice - singular, deadpan, sharp-witted and honest - slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.' Elizabeth Gilbert, author of Eat, Pray, Love

“[A] stylishly presented collection of sewing patterns for 10 LBDs; O’Shea also shows how each pattern can be adapted to another look.” —Publishers Weekly Coco Chanel, Audrey Hepburn, Grace Kelly . . . Each of these women had an influential take on the most classic wardrobe staple of all: the Little Black Dress. In this chic sewing book, patternmaker Dolin Bliss O’Shea pulls inspiration from famous LBDs throughout history—including Mary Quant’s mod mini, a classic wrap dress worn by Liza Minnelli, Princess Diana’s smart A-line, and more—and offers patterns for reinterpreted versions that are perfectly stylish. Including ten full dress patterns with sewing variations to make twenty garments in all, a primer on sewing techniques, vintage photographs of style icons, and full-color shots of the finished pieces, this book has everything fashionistas need to bring timeless style right into their closets. “Features famous little black dresses over the decades. Learn how to sew up Audrey Hepburn’s Sabrina Dress or Kate Moss’ sexy lace dress of the millennium . . . The patterns in this book can take you through the work week to weekend cocktail parties!” —Coquette

A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.

It's not if, but when. Those who love will also grieve. To our detriment, society would rather sanitize or skip over the topic of grief. Twelve days after her son's wedding, Shirley Thiessen was thrown into the unimaginable task of planning his funeral. Grief threatened to extinguish her purpose for living. Gradually, hope and resiliency emerged as Shirley learned to recycle the pain of loss for good purposes. While everyone's grief journey is unique, there are tips to be shared and missteps to avoid.

Since Audrey Hepburn"s show-stopper in Break fast at Tiffany"s, the littlelack dress has become more th an an item of clothing. This book looks at theistory of th is loaded fashion symbol which is a cultural icon that stand sor a woman"s identity. '

What's the most important garment in a womans closet? More often than not, the answer is the little black dress. For decades, fashion magazines have touted the LBD as the perfect solution to almost every fashion crisis. Dressed up or down, with flats or heels, statement jewelry or a subdued jacket, the little black dress can be worn anywhere, for any occasion. Where did the little black dress come from? And how did black become the color of choice for every occasion? In Little Black Dress, Shannon Meyer answers these questions by offering a visual history of the black dress, illustrating its transformation from a traditional mourning garment to the fashion staple it is today. Richly illustrated with seventy full-color photos of dresses and accessories spanning 150 years, and including information about the designer, original owner, and historical context for each, readers will find Little Black Dress a stylish guide to this wardrobe essential. Designed to accompany an exhibit by the same name at the Missouri History Museum, the book will impress historians and fashionistas alike.

At its inception, the ?Little Black Dress?, designed by Coco Chanel, was radically modern: a masculine-inspired, anti-traditionalist female attire ? yet it has remained a wardrobe staple for almost a century. Bringing together international scholars, curators and fashion writers, this volume explores how black?s paradoxical meanings have made the LBD simultaneously expressive of respect and rebellion, sophistication and dissident sexualities, piety and perversion. The book also looks at the smart technologies which are responding to the demand for the fashion industry to be more aware of sustainability.00Exhibition: National Museum of Scotland, Edinburgh, UK (01.07-29.10.2023).

An essential piece of clothing in a woman's closet, the little black dress has maintained its popularity thought all trends because it is always the "right" thing to wear. It is a timeless classic and all great designers have created their own variation. Didier Ludot owns the most famous vintage clothing store in Paris, the fashion capital of the world. The store, La Petit Robe Noire, is housed in the prestigious Palais Royal, just steps away from the Louvre. Ludot has meticulously built and maintained a collection of black dresses, which features designs by Chanel, Balmain, Balenciaga, and Gaultier, among others. Photographs of these dresses are juxtaposed with archive photos of Romy Schneider, Catherine Deneuve, Jeanne Moreau, Sofia Loren, Edith Piaf, Paloma Picasso, Marilyn Monroe and Elizabeth Taylor - all in their black dress finest. Ludot's collection is a delightful tour of the black dress from yesterday to today.