The Liverpool Rose

Liverpool, 1923 Lizzie is an orphan living with her Aunt Annie, Uncle Perce and two boy cousins in Cranberry Court, within a stone's throw of the Leeds and Liverpool Canal. Lizzie loves her aunt but is hated by her uncle and escapes whenever she can. She makes friends with Geoff Gardiner, another orphan, and is teaching him to swim in the Scaldy when Clem Gilligan rescues the pair of them from drowning. Clem works on the Canal boat, The Liverpool Rose, with Jake Pridmore and his wife, plying between the great cities of Leeds and Liverpool. But Lizzie's situation at home starts to worsen as her uncle grows surlier and more violent. Eventually the worst happens and Lizzie is forced to flee from the Court or risk serious injury, perhaps even death. Her first instinct is to make for the canal, but finding Clem is not so easy . . .

Lizzie is an orphan living with her Aunt Annie, Uncle Perce and two boy cousins in Cranberry Court, Liverpool, within a stone's throw of the Leeds and Liverpool Canal. Lizzie loves her aunt but is hated by her uncle and escapes whenever she can.

THE BRAND NEW UPLIFTING AND INPSIRING NOVEL FROM SUNDAY TIMES BESTSELLING AUTHOR KATIE FLYNN To face her future she must confront her past . . . _____________________ Liverpool 1939: Olivia Campbell appears to have the perfect life. However, behind closed doors she lives in constant fear of her abusive father, and has no support from her mother. Longing for love and affection she begins a relationship with Ted, a young lad who works in her father's factory. But her family disapprove of the relationship and forbid them from seeing each other. When war comes to Liverpool, Olivia seizes the opportunity to leave behind her unhappy life and join the WAAF. There she meets a fellow trainee, Maude and the two embrace their newly found independence. Soon Olivia meets the handsome Ralph, and all thoughts of Ted are brushed aside. Until he returns to her life with some shocking news that turns her world upside down . . . _____________________ Praise for Katie Flynn 'Packed with romance and poignancy' Woman 'One of the best Liverpool writers' Liverpool Echo 'Heart-warming' Take a Break 'A poignant war-time romance' Daily Express

The year is 1925, and in Liverpool, Rose Ryder worships her father, a tram-driver. She nurses a secret dream of driving trams too, even though it's not considered a job for women. Meanwhile, in Dublin, Colm O'Neill is happily settled - until his father gets a job working on the Liverptool-Birkenhead tunnel, and takes Colm across the water with him. When tragedy strikes and her beloved father is killed, Rose and her mother scrape a living by turning their home into a boarding house. And it is their boarding house which Colm and his father come to when they arrive in Liverpool...

Rose Alley is one of the city's worst slums - a place where hunger, filth and violence are a way of life. It's no place for proud Queenie Logan and her daughter Gillyflower. And it seems Queenie's dreams of escape will come true. Transformed by Miss Hunter's School for Girls, Gilly opens a successful dressmaking shop. And though she always thought she would marry the boy next door, soon she is courted by one of the richest young men in the city. But they have made a terrible enemy, who lurks in the Liverpool slums and seeks his chance to destroy them. And in the respectable new world they have joined someone else will prove even more dangerous to Gilly and those she loves.

Michael Kelly's writing is driven by love of his native Liverpool, which reaches back to his ancestral Ireland. In this collection of short biographies, Michael becomes the friend of his subjects, rather than a mere researcher. He writes of them because he is one of them, an Irish Liverpudlian in the grand old tradition.

Since its opening in 1911, Liverpool's Playhouse has been inextricably linked to the history of the city in which it was built. The impetus to create it, Ros Merkin reveals in this chronicle of the oldest surviving repertory theater in Britain, grew out of the city's new sense of civic pride and largesse in the early twentieth century. Her book asks both how the city has shaped the theater and what the theater has brought to the city, and along the way she dispels the myth that the Playhouse is Liverpool's conservative theater, revealing that from its inception it was breaking new ground and issuing challenges.

First Published in 1967. Using a number of original sources of newspapers, rare documents, magazines and records this book offers the history of Liverpool privateering and the delicate subject of the Liverpool slave trading.