The Lives Of Images Vol I Repetition Reproduction And Circulation

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wide set of cultural practices. The series tracks the many movements and "lives" of images--their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume I of the series, Repetition, Reproduction, and Circulation, addresses the multiple life cycles of the image--its modes of dispersion, reception, consumption, and aggregation--and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, and Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.

"Analogy, Attunement, and Attention brings together a uniquely contemporary and diverse set of voices to address the complex sets of relationships that the photograph creates between its viewers and their bodies, minds, and sense of the physical and metaphysical world. This volume examines our changing relationship to space and selfhood as mediated by the lens, the print, the screen, the computer, and the multitude of networked technologies built around the image"--

A highly original collection of high magnification photographs that unlock the hidden beauty of seeds and fruit, from the author of Microsculpture The Hidden Beauty of Seeds & Fruits is a photographic study that celebrates the wonders of nature and science in mind-blowing magnification. Levon Biss’ striking photography captures the breathtaking and beautiful details of the world of carpology, the study of seeds and fruits. Each picture reveals minute features and textures that are normally invisible to the naked eye, providing the audience with an insight into strange and often bizarre adaptations that have evolved over thousands of years. After spending months searching through the carpological collection at the Royal Botanic Garden Edinburgh, Biss selected over a hundred striking samples to be featured in this book. Captioned with scientific text that provides the backstory for each specimen, The Hidden Beauty of Seeds & Fruits is guaranteed to amaze, entertain, and educate.

Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.

This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR

- The first book from internationally acclaimed Rucksack Magazine, whose bi-annual themed journals feature stories, photographs, and interviews on wilderness, travel, adventure, and escapism - Presents predominantly new material which has not been published in the journals or online "I have to say that Rucksack Magazine immediately earned a spot as one of my all time favorite travel related magazines out there." - runhumans.com Elements, In Pursuit of the Wild, is a powerful and moving visual journey of discovery created by the editors of Rucksack Magazine. In this compilation are stories, interviews, and stunning photographs that highlight locations where we are overwhelmed by the beauty of nature. These wild places embody peace and tranquility, and exploring them requires courage, a sense of adventure, and an intrepid curiosity about the world. Locations featured in this book include the Faroe Islands, the northwest Pacific, Scandinavia, and Scotland, among other places. The majority of the material in this book is previously unpublished, online or in print.

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history.