The Logic Of Fantasy

Lacan's commentaries on Freud had revolutionary implications for philosophy and literary criticism. He held that if the unconscious exists, it functions linguistically rather than symbolically. Includes a study that explains his work and relates it to the context of contemporary thought.

The second book in the Elemental Logic series, Earth Logic continues the story from the perspective of Karis, a complex character born of magic and now ruler for the country of Shaftal. Karis is a woman who can heal the war-torn land and expel the invaders, but she lives in obscurity with her fractious found family. With war and disease spreading, Karis must act quickly. And when Karis acts, the very stones of the earth sit up and take notice. “Another stunner of a book. The powerful but subtle writing glows with intelligence.” —Booklist

Todd McGowan studies Lynch's talent for blending the bizarre and the normal to emphasise the odd nature of normality itself. In Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.

Lacanian Fantasy addresses the question of how fantasy developed as a psychological concept, particularly as influenced by Sigmund Freud and Jacques Lacan. Kirk Turner moves thematically, from childhood to adulthood, and chronologically, from Freud’s earliest theories to Lacan’s most complex statements on fantasy towards the end of his career. He explores not only the variations that the concept has undergone throughout its history – from Ancient Greek discourse around phantasia to the present day – but also the changing consequences of its applications. Lacanian Fantasy includes further insights on our current predicament: the age of the social media image and fantasy in the uncertain ‘locked down’ world of a pandemic. Spanning numerous examples, both historical and recent, this book explores relatable forms of fantasy life. In bridging psychology and philosophy, as well as gender and sexuality studies, it ultimately opens new perspectives on fantasy. This book will be of interest to psychoanalytic practitioners and humanities scholars, as well as students interested in critical theory.

Behind our computer screens we are all cyborgs: through fantasy we can understand our involvement in virtual worlds. Cyberspace is first and foremost a mental space. Therefore we need to take a psychological approach to understand our experiences in it. In Interface Fantasy, André Nusselder uses the core psychoanalytic notion of fantasy to examine our relationship to computers and digital technology. Lacanian psychoanalysis considers fantasy to be an indispensable “screen” for our interaction with the outside world; Nusselder argues that, at the mental level, computer screens and other human-computer interfaces incorporate this function of fantasy: they mediate the real and the virtual. Interface Fantasy illuminates our attachment to new media: why we love our devices; why we are fascinated by the images on their screens; and how it is possible that virtual images can provide physical pleasure. Nusselder puts such phenomena as avatars, role playing, cybersex, computer psychotherapy, and Internet addiction in the context of established psychoanalytic theory. The virtual identities we assume in virtual worlds, exemplified best by avatars consisting of both realistic and symbolic self-representations, illustrate the three orders that Lacan uses to analyze human reality: the imaginary, the symbolic, and the real. Nusselder analyzes our most intimate involvement with information technology—the almost invisible, affective aspects of technology that have the greatest impact on our lives. Interface Fantasy lays the foundation for a new way of thinking that acknowledges the pivotal role of the screen in the current world of information. And it gives an intelligible overview of basic Lacanian principles (including fantasy, language, the virtual, the real, embodiment, and enjoyment) that shows their enormous relevance for understanding the current state of media technology.

Pringle presents his selections in chronological order and includes a synopsis of the story, a discussion of the author's overall contribution to fantasy literature, critical commentary on the title's significance, and a brief publishing history. An introductory essay tackles the difficulty of defining fantasy, while a "Brief Bibliography" directs readers to other discussions of the genre. By no means a definitive subject guide, this entertaining volume should serve as a solid introduction to the elusive field of imaginative literature.