The Looking Glass Sisters

A tragic love story about two sisters who cannot live with or without each other. Far out on the plains of northern Norway stands a house. It belongs to two middle-aged sisters. They seldom venture out and nobody visits. The older needs nursing and the younger keeps house. Then, one day, a man arrives... Why Peirene chose to publish this book: ‘This is a tragedy about a woman who yearns for love but ends up in a painfully destructive conflict with her sister. It is also a story about loneliness â€" both geographical and psychological. Facing the prospect of a life without love, we fall back into isolating delusions at exactly the moment when we need to connect.’ Meike Ziervogel ‘It’s a liberating feeling when you get a completely original story in your hands.’ Dagbladet ‘Raw and dark and wonderfully different from anything else.’ Dag og Tid ‘Innovative and sensuous.’ Bergens Tidende

Perfect for fans of Emily Henry and Sarah Dessen, Janet McNally’s imaginative story of sisterhood shows that the fiercest of loves are often the ones that exist outside of happily-ever-afters. GIRLS IN TROUBLE. That’s what Sylvie Blake’s older sister Julia renamed their favorite fairy tale book, way back when they were just girls themselves. Now Julia has disappeared—and no one knows for sure if she wants to be away, or if she’s the one in trouble. Then a copy of their old storybook arrives with a mysterious list inside, and Sylvie begins to see signs of her sister, and their favorite fairy tales, everywhere she goes. With the help of her best friend’s enigmatic brother and his beat-up car, Sylvie sets out to follow the strange signs right to Julia and return to New York with her in tow. But trouble comes in lots of forms—and Sylvie soon learns that the damsel in distress is often the only one who can save herself.

Introducing Diversion Classics, an illustrated series that showcases great works of literature from the world's most beloved authors. Lewis Carroll's stories about Alice's misadventures in a secret world are some of his best-loved works. New readers and old fans will delight in Alice's travels through a land teeming with strange beasts and talking creatures. Including ALICE IN WONDERLAND and THROUGH THE LOOKING GLASS, this two-book set is ideal for readers looking to lose themselves in Wonderland.

There are basic problems, and if we can't solve them we should hold off on theorizing. To begin at the beginning, what was Father Flynn's "great wish" for the boy in "The Sisters"? The uncle thinks he knows, but is he right? Can we be sure? How? And how about the beginning and end of "An Encounter"? How do they fit together? What is the specific import to the boy in "Araby" of the shards of conversation between the salesgirl and the Britishers? Can we (or Eveline) be certain of Frank's motives in her story? If not, what relevance do they have? And how in A Portrait of the Artist as a Young Man do Stephen's use and understanding of art evolve? In what crucial respects do they fall short of the understanding a careful reader of the novel can attain? What in Ulysses does Buck Mulligan have in mind when he demands "twopence for a pint" (of what!)? And in what ways are Bloom's ruminations about things like "mity cheese" that "digests all but itself" and saltwater fish ("Why is it that [they] are not...") crucial to the novel? There are bigger questions. What roles do all the accidental occurrences play? Do they heighten or diminish causality and probability? What are the functions of allusion and stylistic experimentation? Is/are there any overriding significance/s to the whole? Is there a didactic component in Joyce's writing? If so, is the didactic element a flaw in his art? What is the relationship between art and instruction--in Joyce and in general? Is good didactic art a contradiction in terms? These latter questions are enticing, but to speculate, theorize, deconstruct, or decontextualize Joyce's works with regard to them without a firm understanding, and perhaps even answers to, the vital though sometimes seemingly trivial former questions is to abrogate critical responsibility and relinquish what one of the formative giants of the twentieth century has to say to us. When relevant, the former are almost always answerable, and the mundane answers, often surprising, are frequently crucial not only for answering the latter questions but for fresh insight into both Joyce's world and our own. By mapping routes to the revelations such mundane "facts" yield, The Cracked Lookingglass establishes a firm base for future interpretations of Joyce's stories from Dubliners through Ulysses. It approaches his works as "fictional histories," grounding its "examplary" readings in relationships among the underlying facts of Joyce's created worlds. The study presents both a method of inquiry and, as examples of its fruit, some of the ways in which the apparent undiscoverables of Joyce's fiction disclose new and indisputable insights into his characters and stories, and through them our world. The approach opens avenues of access to the depths of Dubliners; to the assessments of art, religion, and human relationships in A Portrait of the Artist as a Young Man; to the necessitous underpinnings of Joyce's experimentation in Ulysses, the ground and justification of his uses of "psychocasual chance," the "mythical method," and the seemingly gratuitous stylistic experiments that mirror our lives and suggest new directions for them.

Most people wish they could get a second chance in life... A do over... and correct those mistakes that now lay hidden or buried in their closet. They wish they could hide all those painful memories and lock them all away into a box. Buried them so deep, hoping they never resurface rather than too face them at all. EJ Stuart is just such a person, yet his memories are not the same nor are the hardships of abuse caused by a broken home the same as another man’s down the street. His nightmares are worlds apart than any man has ever faced. He dreams of darkness, everlasting darkness so evil that it can tear a man’s mind apart. Death to some is only a beginning to something else, but what if it was designed to change the outcome entirely, yes a redo. But what of the cost and are you willing to pay for it, even if it is your very soul is at stake? EJ Stuart as man now, a statuses quo in this world is given the opportunity. But first he must choose to as he sits one last time on porch alone waging war with his darkest thoughts. That brought him to this stage of life which hunts his dreams and has now entered his waking state. Which will he chose? Death... or a chance to change his destiny forever, knowing his very soul is at stake. Knowing he could never come back. Knowing his life could be changed forever and others around him. For this choice is a gift which can only be obtained Behind the Looking Glass. Where worlds such as Nightmares, Monsters and Fairytales are real and some or seeking his very soul others are asking for help his help to save his and their world from the grasp of evil. Choose well.

This book shows how people can make different choices in their lives once they find a level of self-acceptance and realistic goals, presenting various case stories that show what can be achieved in counselling and how the counselling relationship can enable people to change their lives.

In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm, instantly struck a chord with the British public, and then with readers around the world. Dodgson's playfulness-with language, with mathematical puzzles, with testy creatures such as the White Rabbit, the Mad Hatter and the Queen of Hearts-still confounds and teases lovers of fantasy fiction today. Alice acolytes continue to unravel the book's strange riddles, and constantly find new meaning in the unexpected underlying themes, from the trials of early adolescence to the value of nonsense. The conundrums and delights of Alice ensures its ongoing influence over modern pop culture. This unabridged replica edition features the original illustrations by English artist SIR JOHN TENNIEL (1820-1914), and is a treasured addition to any library.

In four new novellas, Christina Henry returns to the world of Alice and Red Queen, where magic runs as freely as secrets and blood. Lovely Creature In the New City lives a girl with a secret: Elizabeth can do magic. But someone knows her secret--someone who has a secret of his own. That secret is a butterfly that lives in a jar, a butterfly that was supposed to be gone forever, a butterfly that used to be called the Jabberwock... Girl in Amber Alice and Hatcher are just looking for a place to rest. Alice has been dreaming of a cottage by a lake and a field of wildflowers, but while walking blind in a snowstorm she stumbles into a house that only seems empty and abandoned... When I First Came to Town Hatcher wasn't always Hatcher. Once, he was a boy called Nicholas, and Nicholas fancied himself the best fighter in the Old City. No matter who fought him he always won. Then his boss tells him he's going to battle the fearsome Grinder, a man who never leaves his opponents alive... The Mercy Seat There is a place hidden in the mountains, where all the people hate and fear magic and Magicians. It is the Village of the Pure, and though Alice and Hatcher would do anything to avoid it, it lies directly in their path...