The Lords Of Misrule

"Mardi Gras remains one of the most distinctive features of New Orleans. Although the city has celerated Carnival since its days as a French and Spanish colonial outpost, the rituals familiar today were largely established in the Civil War era by a white male elite." -- back cover.

In the early 1970s, trainer Tommy Hansel attempts a horse racing scam at a small, backwoods track in West Virginia, but nothing goes according to his plan when the horses refuse to cooperate and nearly everyone at the track seems to know his scheme.

"In the remote and timeless hamlet of Callow, nothing is what it seems. As villagers go about their daily routine, an ancient and bloodthirsty evil lurks beneath this pristine village. When people are murdered under unusual and gruesome circumstances, Jack Goodfellow comes back to his hometown of Callow to investigate the death of his friend and ex-lover. As Jack begins his investigation, he uncovers secrets about his town, his family and his life that lead him into horrifying danger-- secrets that will change his life forever. This definitive tale of horror from John Tomlinson, Dan Abnett, and Steve White returns for a whole new generation, in color for the first time, featuring over 60 previously uncollected pages"--Publisher's web site

Autobiography of one of Britain's most distinguished actors.

The most comprehensive survey to date of medieval festival playing in Britain, this study presents an inclusive view of the drama in the British Isles. It offers detailed readings of individual plays-including the little studied Bodley plays, among others - as well as a summary of what is known of their production. Organized around the rituals of the liturgical seasons, the book clarifies the relationship between liturgical feast and dramatic celebration.

Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It: Gives a historical perspective on the storyteller's art Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. Considers all aspects of the creative process, from conception to completion Provides tips on seeking inspiration from classical and mythic sources Shows how myths can be linked to contemporary concerns Enables beginning writers to tap into the deeper resonances of myth Guides students to further critical and creative resources A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.