The Louisville Anthology

What is Louisville's identity in the twenty-first century? Is it the Southernmost Midwestern city, the Midwestiest Southern town, or somewhere in between? Living on the border of two regions creates a hybrid sensibility full of contradictions that can be difficult to articulate beyond "from Louisville, not Kentucky." In this collection of evocative essays and poems by natives and transplants, The Louisville Anthology offers locals and visitors a closer look at compelling private and public spaces in an attempt to articulate what defines Louisville beyond--but also inclusive of--its most recognized cultural exports.

hat is Louisville’s identity in the twenty-first century? Is it the Southernmost Midwestern city, the Midwestiest Southern town, or somewhere in between? Living on the border of two regions creates a hybrid sensibility full of contradictions that can be difficult to articulate beyond “from Louisville, not Kentucky.” In this collection of evocative essays and poems by natives and transplants, The Louisville Anthology offers locals and visitors a closer look at compelling private and public spaces in an attempt to articulate what defines Louisville beyond—but also inclusive of—its most recognized cultural exports.

An anthology of essays & poetry offering a reconsideration of one of America’s most misunderstood cities. Is Indianapolis just another midwestern city to fly over on the way to bigger and better destinations? Or is it, as locals know, a place where different peoples and ideals converge to create a rich cultural center? The Indianapolis Anthology showcases Naptown’s vibrancy and diversity with pieces from journalists, poets, historians, established community voices, and first-time writers. The Circle City is more than the home of the Indianapolis 500, John Dillinger, Kenneth “Babyface” Edmonds, Kurt Vonnegut, Prozac, and Wonder Bread. In these pages, you’ll find: · lawn chairs in the beds of pick-ups · Punk rock in Naptown · suffragists and entrepreneurs · cement pietàs · dog bakeries and yoga studios · red brick bungalows and war memorials · steakburgers and Mexican seafood; pho and sauerbraten · and more In other words, you'll find images from a city that is truly a cross section of today’s America. Edited by Norman “Buzz” Minnick and with contributions from Etheridge Knight, Terrance Hayes, Michael Martone, and Karen Kovacik. An insiders’ look that will make you see a great midwestern city in a brand-new light.

The Dayton Anthology, the fifteenth in Belt's City Anthologies series, is a portrait of a city recovering from the twin 2019 crises of devastating tornadoes and the mass shooting that took the lives of nine residents. Through essays and poems, contributors reflect on these traumas, and the longer-term ills of disinvestment and decay that have plagued the city for years, but also on the resilience of the people who call Dayton home. This is the city that brought the world the Wright brothers' invention of flight, along with the cash register, the hydraulic pump, and other technological innovations, but also the soaring poetry of Paul Laurence Dunbar, and the comedy of Dave Chappelle. With contributions from Dayton Mayor Nan Whaley and former Ohio Governor Bob Taft.

A Louisville Poets Anthology edited by Louisville native and acclaimed Horsepower poet Joy Priest. In this multi-generational anthology, thirty-seven living poets from Louisville archive the traditions and icons, landmarks and spirits, portraits and memories most personal to this shared place. Once a City Said takes the River City's narrative out of the mouths of politicians, news anchors and police chiefs, and puts it into the mouths of poets. What emerges is an intimate report of the socioeconomic circumstances of a city misshapen by segregation, a growing tourism industry, and subsequent ruptures in the public trust. In this collection of versifiers--ranging from Mitchell H. Douglas to Erin Keane and Ryan Ridge to Hannah Drake--each voice contributes to a community choir singing neglected stories and new visionary songs.

A part of Belt's City Anthology Series, a unique take on the South Dakota town residents call "the Best Little City in America." In 1992, Money magazine named Sioux Falls, South Dakota, the best place to

Winner of the 2001 Ray and Pat Browne National Book Award for Outstanding Textbook, given by the Popular Culture Association From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined -- or ignored -- by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past "off limits" to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.

The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."