The Louvre Murder Club Sc Nes De Crime Au Louvre Version Anglaise

The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic" analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common : they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall ? What are the factual and historical issues ? Who are the victims ? What portrait can be drawn of the guilty ? What is their profile, their background, their motive ? Bringing the truth to light will depend on the unexpected answers given to these questions.

Welcome to the Louvre, a universe where on canvas, in marble or clay – in every nook of the museum – murder is present... The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic' analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common: they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall? What are the factual and historical issues? Who are the victims? What portrait can be drawn of the guilty? What is their profile, their background, their motive? Bringing the truth to light will depend on the unexpected answers given to these questions.

Welcome to the Orsay, a former train station turned into a sumptuous museum. It is from here that Christos Markogiannakis invites you to embark on a very special journey–;a journey through history and mythology, crossing paths with mass murderers, stalkers, cursed families, cannibals and serial killers. Murder is present on every floor, in every corner, exposing itself through numerous masterpieces as a gruesome form of art! Applying the principles of criminology and art history, The Orsay Murder Club investigates and interprets a choice of some 30 works of art through a "criminartistic' lens. Created by prestigious artists such as Moreau, Cézanne, Carpeaux and Rodin, they all have a thing in common: they represent murder. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic experts. Into what category does the murder fall? What are the factual and historical issues? Who are the victims? What portrait can be drawn of the perpetrator(s)? What is their profile, their background, their motive? Reaching our final destination–;the truth–;will depend on the often unexpected answers found for these questions.

Bienvenue au Louvre, un univers où, sur toile, dans le marbre ou l'argile, le meurtre est présent dans chaque recoin du musée... En appliquant les principes de la criminologie et de l'histoire de l'art pour une analyse " criminartistique ", Scènes de crime au Louvre se propose d'étudier et d'interpréter un choix d'une trentaine d'œuvres d'art. Toutes sont d'époques et de styles très différents, mais toutes, des amphores de la Grèce ancienne aux peintures françaises du XIXe siècle, des toiles de Rubens à celles de Delacroix, David ou Ingres, ont une chose en commun : représenter des meurtres, qu'ils soient mythologiques ou historiques, leurs protagonistes, leurs histoires. Chaque œuvre sera traitée comme une scène de crime et donnera lieu à une enquête fouillée s'inspirant des principes des équipes judiciaires et médicolégales. De quelle typologie le meurtre relève-t-il ? Quels en sont les enjeux factuels et historiques ? Qui sont les victimes ? Et surtout, quel portrait peut-on tracer des coupables ? Quel est leur profil, leur background, leur alibi ? Des réponses apportées à ces questions dépendra la possibilité de faire éclater la vérité au grand jour.

Reproduction of the original.

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