The Magical Imperfect

For fans of Wonder, Chris Baron's The Magical Imperfect is an affecting middle grade story of two outcasts who become friends... Etan has stopped speaking since his mother left. His father and grandfather don’t know how to help him. His friends have given up on him. When Etan is asked to deliver a grocery order to the outskirts of town, he realizes he’s at the home of Malia Agbayani, also known as the Creature. Malia stopped going to school when her acute eczema spread to her face, and the bullying became too much. As the two become friends, other kids tease Etan for knowing the Creature. But he believes he might have a cure for Malia’s condition, if only he can convince his family and hers to believe it too. Even if it works, will these two outcasts find where they fit in?

"Beautifully written, brilliant, and necessary," (Matt de la Pena, Newbery Medalist), here is a body-positive book about how a boy deals with fat-shaming. Ari has body-image issues. After a move across the country, his parents work selling and promoting his mother's paintings and sculptures. Ari's bohemian mother needs space to create, and his father is gone for long stretches of time on "sales" trips. Meanwhile, Ari makes new friends: Pick, the gamer; the artsy Jorge, and the troubled Lisa. He is also relentlessly bullied because he's overweight, but he can't tell his parents—they're simply not around enough to listen. After an upsetting incident, Ari's mom suggests he go on a diet, and she gives him a book to help. But the book—and the diet—can’t fix everything. As Ari faces the demise of his parents' marriage, he also feels himself changing, both emotionally and physically. Here is a much-needed story about accepting the imperfect in oneself and in life.

Boy’s final year of high school is unraveling. Fast. He had it all worked out, from crushing his final exams to military school to a career in the air force. But his family’s tragic past and its complicated present have caught up to him, and his marks are slipping, jeopardizing all of his plans.

Sixth-grader Rory's story of his impossible-to-hide speech challenge and middle-school drama is perfect for fans of Sharon Draper's Out of My Mind. Rory still can't say his r's, but that's just the beginning of his troubles. First Rory's ex-best-friend Brent started hanging out with the mean lacrosse kids. But then, a terrible accident takes Brent out of school, and Rory struggles with how to feel. Rory and his new speech teacher put their heads together on Rory's r's (as well as a serious love of hard rock and boxing legend Muhammad Ali), but nobody seems to be able to solve the problem of Rory's complicated feelings about Brent. Brent's accident left him with a brain injury and he's struggling. Should Rory stand up for his old friend at school--even after Brent failed to do the same for him?

The magical story of a hex that goes haywire, and the power of friendship to set things right! In the town of Howler's Hollow, conjuring magic is strictly off-limits. Only nothing makes Delpha McGill's skin crawl more than rules. So when she finds her family's secret book of hexes, she's itching to use it to banish her mama's money troubles. She just has to keep it quieter than a church mouse -- not exactly Delpha's specialty.Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she's not going to let an age-old feud or Delpha's contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a graveyard full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they'll need to mend fences and work together.Fans of A Snicker of Magic and The Witch Boy will love this funny, folksy, fresh debut from Ash Van Otterloo that proves sometimes it takes two witches to make the strongest magic happen.

FROM THE AUTHOR OF OUR KIND OF CRUELTY "A stunning, dark novel about who women want to be and the reality of who they are.” —Samantha Downing, author of His Lovely Wife "Promises to please those who enjoy psychological thrillers and all those who love Elena Ferrante but wish her series was just a bit (okay, a lot) more twisted." —Molly Odintz, Lit Hub "A psychological thriller in the truest sense of the word . . . At points I was folding pages repeatedly.” —Sarah Vaughan, author of Anatomy of a Scandal "Creeps on you slowly, like a fog, until you find yourself enveloped in this tangled skein of relationships, eager to see how all this is going to play out, who is going to betray whom and in what way." —Sarah Lyall, The New York Times Book Review When Nancy Hennessy is murdered, she leaves behind two best friends, an adoring husband and daughter, and a secret lover whose identity she took to the grave. Nancy was gorgeous, wealthy, and cherished by those who knew her—from the outside, her life was perfect. But as the investigation into her death flounders and her friends Eleanor and Mary wrestle with their grief, dark details surface that reveal how little they knew their friend, each other, and maybe even themselves. A gripping, immersive novel about impossible expectations and secrets that fester and become lethal, Imperfect Women unfolds through the perspectives of three fascinating women. Their enduring, complex friendship is the knot the reader must untangle to answer the question Who killed Nancy? Imperfect Women explores guilt and retribution, love and betrayal, and the compromises we make that alter our lives irrevocably. With the wickedly sharp insights and finely tuned suspense that has drawn comparisons to Patricia Highsmith and Paula Hawkins, Araminta Hall returns with another page-turning, thought-provoking tour de force.

National Bestseller “As Albert Camus wrote, the doctor’s role is as a witness–to witness authentically the reality of humanity, and to speak out against the horrors of political inaction. . . . The only crime equaling inhumanity is the crime of indifference, silence, and forgetting.” —James Orbinski In 1988, James Orbinski, then a medical student in his twenties, embarked on a year-long research trip to Rwanda, a trip that would change who he would be as a doctor and as a man. Investigating the conditions of pediatric AIDS in Rwanda, James confronted widespread pain and suffering, much of it preventable, much of it occasioned by political and economic corruption. Fuelled by the injustice of what he had seen in Rwanda, Orbinski helped establish the Canadian chapter of Médecins Sans Frontières (Doctors Without Borders/MSF). As a member of MSF he travelled to Peru during a cholera epidemic, to Somalia during the famine and civil war, and to Jalalabad, Afghanistan. In April 1994, James answered a call from the MSF Amsterdam office. Rwandan government soldiers and armed militias of extremist Hutus had begun systematically to murder Tutsis. While other foreigners were evacuated from Rwanda, Orbinski agreed to serve as Chef de Mission for MSF in Kigali. As Rwanda descended into a hell of civil war and genocide, he and his team worked tirelessly, tending to thousands upon thousands of casualties. In fourteen weeks 800,000 men, women and children were exterminated. Half a million people were injured, and millions were displaced. The Rwandan genocide was Orbinski’s undoing. Confronted by indescribable cruelty, he struggled to regain his footing as a doctor, a humanitarian and a man. In the end he chose not to retreat from the world, but resumed his work with MSF, and was the organization’s president when it was awarded the Nobel Peace Prize in 1999. An Imperfect Offering is a deeply personal, deeply political book. With unstinting candor, Orbinski explores the nature of humanitarian action in the twenty-first century, and asserts the fundamental imperative of seeing as human those whose political systems have most brutally failed. He insists that in responding to the suffering of others, we must never lose sight of the dignity of those being helped or deny them the right to act as agents in their own lives. He takes readers on a journey to some of the darkest places of our history but finds there unimaginable acts of courage and empathy. Here he is doctor as witness, recording voices that must be heard around the world; calling on others to meet their responsibility. “Ummera, ummera–sha” is a Rwandan saying that loosely translated means ‘Courage, courage, my friend–find your courage and let it live.’ It was said to me by a patient at our hospital in Kigali. She was slightly older than middle aged and had been attacked with machetes, her entire body rationally and systematically mutilated. Her face had been so carefully disfigured that a pattern was obvious in the slashes. I could do little more for her at that moment than stop the bleeding with a few sutures. We were completely overwhelmed. She knew and I knew that there were so many others. She said to me in the clearest voice I have ever heard, “Allez, allez. Ummera, ummera-sha”–‘Go, go. Courage, courage, my friend–find your courage and let it live.’ —From An Imperfect Offering

Three days ago, all Maisy Norgate had was a stack of bills, about a gazillion jobs, and her sunny-as-hell outlook. Now, thanks to an uncle she never knew about, she’s inherited an ornate skeleton key with absolutely no idea what it’s for—or why she has it. Which is exactly when a ridiculously handsome guy claiming to be an angel shows up at her door and all hell breaks loose... Nephilim Rhys Boyce cannot believe that Maisy is the new Keeper of the Key. Why would anyone bequeath this warm, bubbly redhead the key to Hell? And to make matters worse, she’s given the key to the first person who asked for it. A demon. Yep, Maisy is determined to make his job—not to mention some seriously inconvenient temptation—as hard as possible. First a half angel with a very human chip on his shoulder must find a way to convince Maisy that angels and demons do exist. Then Rhys will have to break the really bad news...that she might have accidentally ended the world.