The Magnificent Emperor Wu

"One of the greatest emperors in Chinese history, Liu Che (157 BC-87 BC) is known posthumously as Emperor Wu. Under his reign China expanded its territory dramatically. Liu Che consolidated China's power under a strong central government founded on Confucian principles. This book, based largely on the writings of China's ancient historian, Sima Qian, summarizes the development of the Han Dynasty and the reign of Emperor Wu"--

Hing Hing Ming reviews some of the major episodes of the Han Dynasty, from its founding by Liu Bang to the Lü Clan Disturbance and subsequent diplomatic overtures and military campaigns against the minor Chinese kingdoms, the Mongols, and Gojoseon (the ancient Korean Kingdom).

Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony—rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.

This book argues that regional food culture is intrinsic to how Chinese connect to the past, live in the present, and imagine their future. It focuses on Shanghai?a food lover's paradise?and identifies the importance of regional food culture at pivotal moments in the city's history, and in Chinese history more generally.

Fortunately, he learned a soul-sending method, and he can stay in do or die and stay in heaven and earth. As long as the fighters are not strangled, even if the body is annihilated, they can be born again.

Profiles the life and accomplishments of Chinese emperor Han Wudi and discusses life in ancient China.

This volume studies the evolution of Chinese art during the Qin and Han Dynasties, The Three Kingdoms, Eastern and Western Jin, and the Northern and Southern Dynasties. It traces the initial artistic vocabularies of Chinese calligraphy as well as the rapid development of the performing and the decorative arts. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

Emperor Wu is generally recognized as the greatest ruler of the Han Dynasty, and his wars against the steppe warrior Xiongnu as one of his greatest undertakings. To the chief narrator of these events, ancient Chinese historian Sima Qian, the turning point in Han Dynasty history was the way Emperor Wu had abandoned the policy of peaceful relations with the Xiongnu, and launched China on a series of campaigns that would last for decades. This has been almost universally accepted as truth in modern scholarship, but these claims cannot be taken at face value. Firstly, this book identifies ways in which the Shiji account is riddled with inconsistencies and deliberately misleading information, and provides explanations for this. He hid signs of rising disquiet with the peace policy of earlier rulers, and concealed indications that for at least two decades China's leadership had been searching for alternatives. Secondly, the work reconstructs a more accurate narrative of events for one hundred years of Han - Xiongnu relations than can be gained by a straight-forwarding reading of individual chapters of the Shiji. A narrative emerges of an historian with an agenda, and of a century of Han - Xiongnu relations that is markedly different from any previously produced.