The Maharani Of Arakan

This gripping historical novel tells the story of the Maharani of Arakan, a powerful and charismatic ruler who lived in Burma in the early 17th century. From her early years as a palace intriguer to her final days as a wise and respected leader, the Maharani's life was one of adventure and drama. A must-read for fans of historical fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole.

Situated at the periphery of both South and Southeast Asia, the maritime frontier of Burma (Arakan, Lower Burma and Tenasserim) has long been neglected area of study. In spite of its location at the outskirts of powerful Asian polities such as Taungngu Burma, Ayutthaya and Mughal India, it served as an important cultural and commercial crossroads connecting all the regions surrounding the Bay of Bengal. For the first time in Burmese studies, this volume explores the interactive elements of Coastal Burma's civilization by bringing together a unique array of scholars, both historians and art historians, both anglophones and francophones, both South Asianists and Southeast Asianists. The result is a creative and colorful pastiche that pays tribute to Burma's distinctive political, cultural and commercial place in the Indian Ocean world.

Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study.

Skillfully written and complemented with photos, this biography is the first to honor British actress-manager Lena Ashwell. In a rapidly changing world, Ashwell was crucial to the advancement of women in English theater and in the formation of the National Theater.The bookhighlights the inspiring woman s other valuable accomplishments as well, including her efforts to raise money during World War I for thousands of concert-party troop entertainments and regular theater performances she established throughout local London communities. From her first appearance on stage in 1891 to the end of her life, this is Lena Ashwell s story."

Tagore, a Bengalese writer, artist and thinker won the 1913 Nobel Prize for Literature and became an international celebrity. These essays arose from an international Tagore Conference held in London in 1986 which aimed to reassess the range of his achievement and the catholicity of his thought.

This book presents a set of original letters exchanged between Rabindranath Tagore, the first Asian to win the Nobel Prize for Literature, and the eminent Irish poet and theosophist, James Henry Cousins. Through these letters, the volume explores their shared ideas of culture, art, aesthetics, and education in India; aspects of Irish Orientalism; Irish literary revival; theosophy, eastern knowledge, and spiritualism; cross-cultural dialogue and friendship; Renaissance in India; anti-imperialism; nationalism; internationalism; and cosmopolitanism. The book reveals a hitherto unexplored facet concerning two leading thinkers in the history of ideas in a transnational context. With its lucid style, extensive annotations and a comprehensive Introduction, this book will be an essential read for scholars and researchers of Indian literature, Bengali literature, comparative literature, South Asian studies, Tagore studies, modern Indian history, philosophy, cultural studies, education, political studies, postcolonial studies, India studies, Irish history, and Irish literature. It will also interest general readers and the Bengali diaspora.