The Making Of Modern South Africa

Recent events in South Africa have taken on renewed interest for historians and general readers alike. In this third edition of The Making of Modern South Africa, Nigel Worden provides a comprehensive and up-to-date introduction to the key themes and debates central to an understanding of the region. The book examines the major issues in South Africa's history, from the colonial conquests of the eighteenth and nineteenth centuries, through the establishment of racism, segregation and apartheid; the spirit of reform, resistance and repression of the 1980s and up to the present day. In this new edition, Worden brings events up to the second democratic election of 1999, and incorporates new material published since 1990. With the break up of institutional apartheid, perspectives on recent South African history have undergone a significant shift. Nigel Worden examines these changes and assesses developments within the new South Africa in a wide historical context, providing a sharp, analytical overview for all those interested in modern South African history and politics.

The new edition of The Making of Modern South Africa provides a comprehensive, current introduction to the key themes and debates concerning the history of this controversial country. Engagingly written, the author provides a sharp, analytical overview of the new South Africa. Examines the major issues in South Africa's history, from pre-colonial to present, including colonial conquest; the establishment of racism, segregation, and apartheid; resistance movements; and the eventual founding of democracy Contains an additional final chapter that takes the story to the present and considers the challenges and compromises of the first two decades of democracy Updated with material on post-apartheid era and current issues in South Africa The only book that gives direct guidance to bibliographical material and readings on key debates Provides a sharp, analytical overview of the new South Africa Extensive references are given to the key writings on each topic and the debates between scholars

The book examines the major issues in South Africa's history, from the colonial conquest of the eighteenth and nineteenth centuries, through the establishment of racism, segregation and apartheid, to the spirit of reform, resistance and repression of the 1980s and, now, in this new edition, the first democratic elections in April 1994. With the break up of institutional apartheid, perspectives on recent South African history have undergone a significant shift. Nigel Worden examines these changes and assesses developments within the new South Africa in a wide historical context, providing a sharp, analytical overview for all those interested in modern South African history and politics.

The politics of black education has long been a key issue in southern African studies, but despite rich debates on the racial and class dimensions of schooling, historians have neglected their distinctive gendered dynamics. A World of Their Own is the first book to explore the meanings of black women’s education in the making of modern South Africa. Its lens is a social history of the first high school for black South African women, Inanda Seminary, from its 1869 founding outside of Durban through the recent past. Employing diverse archival and oral historical sources, Meghan Healy-Clancy reveals how educated black South African women developed a tradition of social leadership, by both working within and pushing at the boundaries of state power. She demonstrates that although colonial and apartheid governance marginalized women politically, it also valorized the social contributions of small cohorts of educated black women. This made space for growing numbers of black women to pursue careers as teachers and health workers over the course of the twentieth century. After the student uprisings of 1976, as young black men increasingly rejected formal education for exile and street politics, young black women increasingly stayed in school and cultivated an alternative form of student politics. Inanda Seminary students’ experiences vividly show how their academic achievements challenged the narrow conceptions of black women’s social roles harbored by both officials and black male activists. By the transition to democracy in the early 1990s, black women outnumbered black men at every level of education—introducing both new opportunities for women and gendered conflicts that remain acute today.

Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

In examining the intellectual history in contemporary South Africa, Eze engages with the emergence of ubuntu as one discourse that has become a mirror and aftermath of South Africa s overall historical narrative. This book interrogates a triple socio-political representation of ubuntu as a displacement narrative for South Africa s colonial consciousness; as offering a new national imaginary through its inclusive consciousness, in which different, competing, and often antagonistic memories and histories are accommodated; and as offering a historicity in which the past is transformed as a symbol of hope for the present and the future. This book offers a model for African intellectual history indignant to polemics but constitutive of creative historicism and healthy humanism.

Providing histories of the military and the police in the nineteenth and twentieth centuries, including first-hand accounts from retired officers and state employees, this book contains much original thinking and analysis, and shows the South African state evolving from white minority rule to multi-racial democracy - and the role of the military in that process.

Nations as well as individuals are in many ways the sum of their memories, which are shaped by perception as much as by events. This collection of essays by South African academics looks at the ways the country is dealing with its past, a complex mixture of colonialism, slavery, apartheid,struggle, and guilt. The emphasis is on how that past is being perceived and moulded in the post-apartheid era.